國立虎尾科技大學 |

The Photographic Uncanny = Photography, Homelessness, and Homesickness /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Photographic Uncanny/ by Claire Raymond.
其他題名:	Photography, Homelessness, and Homesickness /
作者:	Raymond, Claire.
面頁冊數:	XI, 326 p. 39 illus., 14 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Photography. -
電子資源:	https://doi.org/10.1007/978-3-030-28497-8
ISBN:	9783030284978

The Photographic Uncanny = Photography, Homelessness, and Homesickness /
Raymond, Claire.

The Photographic UncannyPhotography, Homelessness, and Homesickness /[electronic resource] :by Claire Raymond. - 1st ed. 2019. - XI, 326 p. 39 illus., 14 illus. in color.online resource.

1.A Political Uncanny: The Homelessness of Photographs -- 2.Eugene Atget’s Sacred Spaces: Uncanny Capitalism -- 3.August Sander’s Habitus -- 4.Walker Evans’s Emotions -- 5.Diane Arbus’s Uncanny Aura -- 6.Second Selves: Woodman, Meatyard, Allison -- 7.North American Uncanny: Shelley Niro -- 8.Ghosts of West Baltimore: Devin Allen -- 9.Conclusion: Revisiting the 18th-Century Visual Uncanny.

This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.

ISBN: 9783030284978

Standard No.: 10.1007/978-3-030-28497-8doiSubjects--Topical Terms:

654277
Photography.

LC Class. No.: TR1-1050

Dewey Class. No.: 770

The Photographic Uncanny = Photography, Homelessness, and Homesickness /
LDR:02818nam a22003975i 4500 001 1013565
003 DE-He213
005 20200705113610.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030284978 $9 978-3-030-28497-8
024 7 $a 10.1007/978-3-030-28497-8 $2 doi
035 $a 978-3-030-28497-8
050 4 $a TR1-1050
072 7 $a AJ $2 bicssc
072 7 $a PHO000000 $2 bisacsh
072 7 $a AJ $2 thema
082 0 4 $a 770 $2 23
100 1 $a Raymond, Claire. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1307837
245 1 4 $a The Photographic Uncanny $h [electronic resource] : $b Photography, Homelessness, and Homesickness / $c by Claire Raymond.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XI, 326 p. 39 illus., 14 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1.A Political Uncanny: The Homelessness of Photographs -- 2.Eugene Atget’s Sacred Spaces: Uncanny Capitalism -- 3.August Sander’s Habitus -- 4.Walker Evans’s Emotions -- 5.Diane Arbus’s Uncanny Aura -- 6.Second Selves: Woodman, Meatyard, Allison -- 7.North American Uncanny: Shelley Niro -- 8.Ghosts of West Baltimore: Devin Allen -- 9.Conclusion: Revisiting the 18th-Century Visual Uncanny.
520 $a This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.
650 0 $a Photography. $3 654277
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030284961
776 0 8 $i Printed edition: $z 9783030284985
776 0 8 $i Printed edition: $z 9783030284992
856 4 0 $u https://doi.org/10.1007/978-3-030-28497-8
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)