國立虎尾科技大學 |

Females in the Frame = Women, Art, and Crime /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Females in the Frame/ by Penelope Jackson.
其他題名:	Women, Art, and Crime /
作者:	Jackson, Penelope.
面頁冊數:	XV, 223 p. 18 illus., 13 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Culture—Study and teaching. -
電子資源:	https://doi.org/10.1007/978-3-030-20766-3
ISBN:	9783030207663

Females in the Frame = Women, Art, and Crime /
Jackson, Penelope.

Females in the FrameWomen, Art, and Crime /[electronic resource] :by Penelope Jackson. - 1st ed. 2019. - XV, 223 p. 18 illus., 13 illus. in color.online resource.

1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.

This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history. .

ISBN: 9783030207663

Standard No.: 10.1007/978-3-030-20766-3doiSubjects--Topical Terms:

1253505
Culture—Study and teaching.

LC Class. No.: HM621-656

Dewey Class. No.: 301

Females in the Frame = Women, Art, and Crime /
LDR:02772nam a22003855i 4500 001 1014705
003 DE-He213
005 20200703141655.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030207663 $9 978-3-030-20766-3
024 7 $a 10.1007/978-3-030-20766-3 $2 doi
035 $a 978-3-030-20766-3
050 4 $a HM621-656
072 7 $a JF $2 bicssc
072 7 $a LAN000000 $2 bisacsh
072 7 $a JB $2 thema
082 0 4 $a 301 $2 23
100 1 $a Jackson, Penelope. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1229542
245 1 0 $a Females in the Frame $h [electronic resource] : $b Women, Art, and Crime / $c by Penelope Jackson.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XV, 223 p. 18 illus., 13 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.
520 $a This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history. .
650 0 $a Culture—Study and teaching. $3 1253505
650 0 $a Fine arts. $3 1112523
650 0 $a Culture. $3 556041
650 0 $a Gender. $3 1214940
650 0 $a Crime—Sociological aspects. $3 1253677
650 1 4 $a Popular Science in Cultural and Media Studies. $3 1140883
650 2 4 $a Fine Arts. $3 668337
650 2 4 $a Culture and Gender. $3 1117475
650 2 4 $a Crime and Society. $3 1104968
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030207656
776 0 8 $i Printed edition: $z 9783030207670
856 4 0 $u https://doi.org/10.1007/978-3-030-20766-3
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)