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Pragmatist Philosophy and Dance = In...
~
Mullis, Eric.
Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Pragmatist Philosophy and Dance/ by Eric Mullis.
Reminder of title:
Interdisciplinary Dance Research in the American South /
Author:
Mullis, Eric.
Description:
XIII, 247 p. 7 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Dance. -
Online resource:
https://doi.org/10.1007/978-3-030-29314-7
ISBN:
9783030293147
Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
Mullis, Eric.
Pragmatist Philosophy and Dance
Interdisciplinary Dance Research in the American South /[electronic resource] :by Eric Mullis. - 1st ed. 2019. - XIII, 247 p. 7 illus.online resource. - Performance Philosophy. - Performance Philosophy.
1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy.
This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia). Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden’s Angels in the Architecture (2012), Martha Clarke’s Angel Reapers (2015) and Ralph Lemon’s Geography trilogy (2005). The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process.
ISBN: 9783030293147
Standard No.: 10.1007/978-3-030-29314-7doiSubjects--Topical Terms:
556850
Dance.
LC Class. No.: PN1560-1590
Dewey Class. No.: 792.8
Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy.
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This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia). Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden’s Angels in the Architecture (2012), Martha Clarke’s Angel Reapers (2015) and Ralph Lemon’s Geography trilogy (2005). The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process.
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