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Race, Nation and Gender in Modern It...
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Race, Nation and Gender in Modern Italy = Intersectional Representations in Visual Culture /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Race, Nation and Gender in Modern Italy/ by Gaia Giuliani.
Reminder of title:
Intersectional Representations in Visual Culture /
Author:
Giuliani, Gaia.
Description:
XIV, 299 p. 13 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Ethnicity. -
Online resource:
https://doi.org/10.1057/978-1-137-50917-8
ISBN:
9781137509178
Race, Nation and Gender in Modern Italy = Intersectional Representations in Visual Culture /
Giuliani, Gaia.
Race, Nation and Gender in Modern Italy
Intersectional Representations in Visual Culture /[electronic resource] :by Gaia Giuliani. - 1st ed. 2019. - XIV, 299 p. 13 illus.online resource. - Mapping Global Racisms. - Mapping Global Racisms.
Part 1: Constructions of Whiteness from Unification to Fascism -- 1. Race, gender and the early colonial imaginary -- 2. Race, gender and the fascist colonial imaginary -- Part 2: Race and Gender in Italians’ Post-fascist Cinematic Imaginary -- 3. Black Venuses between colonial memory and global horizons -- Part 3:Visualisation of Race, Visibilisation of Bodies and Concealment of Racism in Italian television, 1980s–2010s -- 4. Visualising race in Italian public and private television in the 1980s-2010s -- 5. Silent and exoticised, criminal or victim: the new racial paradigm -- 6. Conclusions. .
This book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian ‘colonial archive’ in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the ‘figures of race’ peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness. Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
ISBN: 9781137509178
Standard No.: 10.1057/978-1-137-50917-8doiSubjects--Topical Terms:
555402
Ethnicity.
LC Class. No.: GN495.6
Dewey Class. No.: 305.8
Race, Nation and Gender in Modern Italy = Intersectional Representations in Visual Culture /
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Part 1: Constructions of Whiteness from Unification to Fascism -- 1. Race, gender and the early colonial imaginary -- 2. Race, gender and the fascist colonial imaginary -- Part 2: Race and Gender in Italians’ Post-fascist Cinematic Imaginary -- 3. Black Venuses between colonial memory and global horizons -- Part 3:Visualisation of Race, Visibilisation of Bodies and Concealment of Racism in Italian television, 1980s–2010s -- 4. Visualising race in Italian public and private television in the 1980s-2010s -- 5. Silent and exoticised, criminal or victim: the new racial paradigm -- 6. Conclusions. .
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This book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian ‘colonial archive’ in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the ‘figures of race’ peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness. Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
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