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Concert Halls by Nagata Acoustics =...
~
Bergal, Erik.
Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Concert Halls by Nagata Acoustics / by Yasuhisa Toyota, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, Erik Bergal.
其他題名:
Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
作者:
Toyota, Yasuhisa.
其他作者:
Bergal, Erik.
面頁冊數:
XVI, 339 p. 346 illus., 235 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Building Construction and Design. -
電子資源:
https://doi.org/10.1007/978-3-030-42450-3
ISBN:
9783030424503
Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
Toyota, Yasuhisa.
Concert Halls by Nagata Acoustics
Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /[electronic resource] :by Yasuhisa Toyota, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, Erik Bergal. - 1st ed. 2020. - XVI, 339 p. 346 illus., 235 illus. in color.online resource.
Part1. Project Anthology -- Chapter1. Suntory Hall -- Chapter2. Kyoto Concert Hall -- Chapter3. Sapporo Concert Hall “Kitara” -- Chapter4. Richard B. Fisher Center for the Performing Arts -- Chapter5. Walt Disney Concert Hall -- Chapter6. Muza Kawasaki Symphony Hall -- Chapter7. Mariinsky Concert Hall -- Chapter8. Danish Radio Concert House -- Chapter9. New World Symphony -- Chapter10. Helsinki Music Centre Concert Hall -- Chapter11. Kauffman Center for the Performing Arts: Muriel Kauffman Theatre -- Chapter12. Kauffman Center for the Performing Arts: Helzberg Hall -- Chapter13. Soka Performing Arts Center -- Chapter14. Isabella Stewart Gardner Museum -- Chapter15. USC Brain and Creativity Institute -- Chapter16. Bing Concert Hall -- Chapter17. Charles Bronfman Auditorium -- Chapter18. Auditorium Giovanni Arvedi -- Chapter19. Shanghai Symphony Hall -- Chapter20. NOSPR Katowice -- Chapter21. Auditorium, Fondation Louis Vuitton -- Chapter22. Radio France Concert Hall -- Chapter23. Philharmonie de Paris -- Chapter24. Musco Center for the Arts -- Chapter25. Lotte Concert Hall -- Chapter26. Elbphilharmonie Hamburg -- Chapter27. Pierre Boulez Saal -- Chapter28. La Seine Musicale -- Chapter29. Repino Hall -- Chapter30. Jinji Lake Concert Hall -- Chapter31. Zaryadye Concert Hall -- Chapter32. The Conrad Prebys Performing Arts Center -- Part2. Topics on Acoustics and Acoustical Design -- Chapter33. Vienna Musikvereinssaal as the Starting Point of Discussion -- Chapter34. Berlin Philharmonie and the Birth of the Vineyard-style Concept -- Chapter35. Surround Seating Paradigm -- Chapter36. Foundational Projects of Nagata Acoustics -- Chapter37. Reverberation Time, Other Metrics, and Underlying Goals -- Chapter38. Computer Simulation -- Chapter39. Scale Model Testing -- Chapter40. The Importance of Stage Acoustics -- Chapter41. Ceiling Height, Ensemble Reflectors, and Soffits -- Chapter42. Acclimation to a New Hall -- Chapter43. Orchestral Balance -- Chapter44. Orchestra Layout -- Chapter45. Excessive Sound Exposure on Stage -- Chapter46. Stage Risers -- Chapter47. Stage Structure -- Chapter48. Adjustable vs. Fixed Acoustics -- Chapter49. Sound System Design in Concert Halls -- Chapter50. Semi-staged Productions in Concert Halls -- Chapter51. Concert Hall Organ Design -- Chapter52. A New Direction of Concert Hall Design.
This visually stunning and data rich text catalogs the design of 32 concert halls by world-renowned acoustician Yasuhisa Toyota and his team at Nagata Acoustics, the firm behind the celebrated Walt Disney Concert Hall, the Hamburg Elbphilharmonie, and numerous others. Alongside architectural drawings and photographs, commentary on the design process and challenges of each hall provides insight for the dedicated listener to appreciate a wide range of internationally beloved concert venues. Summarized acoustical and architectural data for each of the halls will provide valuable reference information to architects and acousticians alike. Following the project anthology is an overview of the history, development, and acoustical features of vineyard- and surround-style concert halls. A broader discussion of design philosophy reveals the methods by which Toyota has guided architects to create world renowned halls. These technical and general discussions give architects the foundation to design for the performing arts, and provide audiences a new insight and perspective to consider the next time they attend a concert.
ISBN: 9783030424503
Standard No.: 10.1007/978-3-030-42450-3doiSubjects--Topical Terms:
1114677
Building Construction and Design.
LC Class. No.: QC221-246
Dewey Class. No.: 534
Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
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Part1. Project Anthology -- Chapter1. Suntory Hall -- Chapter2. Kyoto Concert Hall -- Chapter3. Sapporo Concert Hall “Kitara” -- Chapter4. Richard B. Fisher Center for the Performing Arts -- Chapter5. Walt Disney Concert Hall -- Chapter6. Muza Kawasaki Symphony Hall -- Chapter7. Mariinsky Concert Hall -- Chapter8. Danish Radio Concert House -- Chapter9. New World Symphony -- Chapter10. Helsinki Music Centre Concert Hall -- Chapter11. Kauffman Center for the Performing Arts: Muriel Kauffman Theatre -- Chapter12. Kauffman Center for the Performing Arts: Helzberg Hall -- Chapter13. Soka Performing Arts Center -- Chapter14. Isabella Stewart Gardner Museum -- Chapter15. USC Brain and Creativity Institute -- Chapter16. Bing Concert Hall -- Chapter17. Charles Bronfman Auditorium -- Chapter18. Auditorium Giovanni Arvedi -- Chapter19. Shanghai Symphony Hall -- Chapter20. NOSPR Katowice -- Chapter21. Auditorium, Fondation Louis Vuitton -- Chapter22. Radio France Concert Hall -- Chapter23. Philharmonie de Paris -- Chapter24. Musco Center for the Arts -- Chapter25. Lotte Concert Hall -- Chapter26. Elbphilharmonie Hamburg -- Chapter27. Pierre Boulez Saal -- Chapter28. La Seine Musicale -- Chapter29. Repino Hall -- Chapter30. Jinji Lake Concert Hall -- Chapter31. Zaryadye Concert Hall -- Chapter32. The Conrad Prebys Performing Arts Center -- Part2. Topics on Acoustics and Acoustical Design -- Chapter33. Vienna Musikvereinssaal as the Starting Point of Discussion -- Chapter34. Berlin Philharmonie and the Birth of the Vineyard-style Concept -- Chapter35. Surround Seating Paradigm -- Chapter36. Foundational Projects of Nagata Acoustics -- Chapter37. Reverberation Time, Other Metrics, and Underlying Goals -- Chapter38. Computer Simulation -- Chapter39. Scale Model Testing -- Chapter40. The Importance of Stage Acoustics -- Chapter41. Ceiling Height, Ensemble Reflectors, and Soffits -- Chapter42. Acclimation to a New Hall -- Chapter43. Orchestral Balance -- Chapter44. Orchestra Layout -- Chapter45. Excessive Sound Exposure on Stage -- Chapter46. Stage Risers -- Chapter47. Stage Structure -- Chapter48. Adjustable vs. Fixed Acoustics -- Chapter49. Sound System Design in Concert Halls -- Chapter50. Semi-staged Productions in Concert Halls -- Chapter51. Concert Hall Organ Design -- Chapter52. A New Direction of Concert Hall Design.
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