Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
DreamWorks Animation = Intertextuali...
~
Summers, Sam.
DreamWorks Animation = Intertextuality and Aesthetics in Shrek and Beyond /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
DreamWorks Animation/ by Sam Summers.
Reminder of title:
Intertextuality and Aesthetics in Shrek and Beyond /
Author:
Summers, Sam.
Description:
IX, 233 p. 2 illus., 1 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Animated films. -
Online resource:
https://doi.org/10.1007/978-3-030-36851-7
ISBN:
9783030368517
DreamWorks Animation = Intertextuality and Aesthetics in Shrek and Beyond /
Summers, Sam.
DreamWorks Animation
Intertextuality and Aesthetics in Shrek and Beyond /[electronic resource] :by Sam Summers. - 1st ed. 2020. - IX, 233 p. 2 illus., 1 illus. in color.online resource. - Palgrave Animation,2523-8086. - Palgrave Animation,.
1. Layered, Like Onions: Introducing DreamWorks’ Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. ‘All Star’ soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks’ impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks’ online afterlife -- Index. .
DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention. The book will historicise DreamWorks’ contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films’ visual aesthetics to assess DreamWorks’ influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.
ISBN: 9783030368517
Standard No.: 10.1007/978-3-030-36851-7doiSubjects--Topical Terms:
571281
Animated films.
LC Class. No.: NC1765-1766
Dewey Class. No.: 791.4334
DreamWorks Animation = Intertextuality and Aesthetics in Shrek and Beyond /
LDR
:02935nam a22004095i 4500
001
1018550
003
DE-He213
005
20200707014608.0
007
cr nn 008mamaa
008
210318s2020 gw | s |||| 0|eng d
020
$a
9783030368517
$9
978-3-030-36851-7
024
7
$a
10.1007/978-3-030-36851-7
$2
doi
035
$a
978-3-030-36851-7
050
4
$a
NC1765-1766
072
7
$a
APFV
$2
bicssc
072
7
$a
PER004000
$2
bisacsh
072
7
$a
ATFV
$2
thema
082
0 4
$a
791.4334
$2
23
100
1
$a
Summers, Sam.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1313564
245
1 0
$a
DreamWorks Animation
$h
[electronic resource] :
$b
Intertextuality and Aesthetics in Shrek and Beyond /
$c
by Sam Summers.
250
$a
1st ed. 2020.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
IX, 233 p. 2 illus., 1 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Palgrave Animation,
$x
2523-8086
505
0
$a
1. Layered, Like Onions: Introducing DreamWorks’ Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. ‘All Star’ soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks’ impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks’ online afterlife -- Index. .
520
$a
DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention. The book will historicise DreamWorks’ contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films’ visual aesthetics to assess DreamWorks’ influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.
650
0
$a
Animated films.
$3
571281
650
0
$a
Motion pictures.
$3
562481
650
1 4
$a
Animation.
$3
1112813
650
2 4
$a
Film/TV Industry.
$3
1116367
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030368500
776
0 8
$i
Printed edition:
$z
9783030368524
776
0 8
$i
Printed edition:
$z
9783030368531
830
0
$a
Palgrave Animation,
$x
2523-8086
$3
1298428
856
4 0
$u
https://doi.org/10.1007/978-3-030-36851-7
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login