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Art, Religion and Resistance in (Pos...
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SpringerLink (Online service)
Art, Religion and Resistance in (Post-)Communist Romania = Nostalgia for Paradise Lost /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Art, Religion and Resistance in (Post-)Communist Romania/ by Maria Alina Asavei.
Reminder of title:
Nostalgia for Paradise Lost /
Author:
Asavei, Maria Alina.
Description:
XIV, 309 p. 23 illus., 20 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Russia—History. -
Online resource:
https://doi.org/10.1007/978-3-030-56255-7
ISBN:
9783030562557
Art, Religion and Resistance in (Post-)Communist Romania = Nostalgia for Paradise Lost /
Asavei, Maria Alina.
Art, Religion and Resistance in (Post-)Communist Romania
Nostalgia for Paradise Lost /[electronic resource] :by Maria Alina Asavei. - 1st ed. 2020. - XIV, 309 p. 23 illus., 20 illus. in color.online resource. - Modernity, Memory and Identity in South-East Europe,2523-7985. - Modernity, Memory and Identity in South-East Europe,.
1. Art, Politics and Religion in (Post-) Communist Romania: An Introduction -- 2. On the Varieties of Cultural Resistance during Romanian Late Communism -- 3. Godless Religious Art of Romanian National Communism -- 4. Art, Nature and Ecologies of Transfiguration during Romanian National Communism -- 5. Spiritual Ecologies and Meta-Byzantine Music during Nicolae Ceauṣescu’s Regime -- 6. Contemporary Aesthetic Mysticism and Religious Revitalization Movements -- 7. The Body in (Post-) Communist Art: a Site of Salvation and Resistance -- 8. Religion Inspired Art and Politics: Neo-Orthodoxism as Neo-Traditionalism? -- 9. Art as Resistance to the “Religious Affair” and Consumerist Religion in Post-Communist Romania -- 10. Looking Forward: Looking Back through the Three Lense of Art, Politics and Religion.
This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe. .
ISBN: 9783030562557
Standard No.: 10.1007/978-3-030-56255-7doiSubjects--Topical Terms:
1254106
Russia—History.
LC Class. No.: DK1-949.5
Dewey Class. No.: 947
Art, Religion and Resistance in (Post-)Communist Romania = Nostalgia for Paradise Lost /
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1. Art, Politics and Religion in (Post-) Communist Romania: An Introduction -- 2. On the Varieties of Cultural Resistance during Romanian Late Communism -- 3. Godless Religious Art of Romanian National Communism -- 4. Art, Nature and Ecologies of Transfiguration during Romanian National Communism -- 5. Spiritual Ecologies and Meta-Byzantine Music during Nicolae Ceauṣescu’s Regime -- 6. Contemporary Aesthetic Mysticism and Religious Revitalization Movements -- 7. The Body in (Post-) Communist Art: a Site of Salvation and Resistance -- 8. Religion Inspired Art and Politics: Neo-Orthodoxism as Neo-Traditionalism? -- 9. Art as Resistance to the “Religious Affair” and Consumerist Religion in Post-Communist Romania -- 10. Looking Forward: Looking Back through the Three Lense of Art, Politics and Religion.
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This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe. .
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