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British Women's Writing from Brontë ...
~
Gavin, Adrienne E.
British Women's Writing from Brontë to Bloomsbury, Volume 2 = 1860s and 1870s /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
British Women's Writing from Brontë to Bloomsbury, Volume 2/ edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton.
其他題名:
1860s and 1870s /
其他作者:
de la L. Oulton, Carolyn W.
面頁冊數:
XXVI, 291 p. 3 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
British and Irish Literature. -
電子資源:
https://doi.org/10.1007/978-3-030-38528-6
ISBN:
9783030385286
British Women's Writing from Brontë to Bloomsbury, Volume 2 = 1860s and 1870s /
British Women's Writing from Brontë to Bloomsbury, Volume 2
1860s and 1870s /[electronic resource] :edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton. - 1st ed. 2020. - XXVI, 291 p. 3 illus.online resource. - British Women’s Writing from Brontë to Bloomsbury, 1840-1940,22523-7160 ;. - British Women’s Writing from Brontë to Bloomsbury, 1840-1940,1.
1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. ‘Duck him!’: Private Feelings, Public Interests, and Ellen Wood’s East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway ‘Monomania’ and Investigations of Gender in Lady Audley’s Secret; Andrew F. Humphries -- 5. ‘There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell’s Sylvia’s Lovers and A Dark Night’s Work; Elizabeth Ludlow -- 6. ‘The plain duties which are set before me’: Charity, Agency, and Women’s Work in the 1860s; Kristine Moruzi -- 7.‘[S]mothered under rose-leaves’: Violent Sensation and the Location of the Feminine in Eliza Lynn Linton’s Sowing the Wind; Carolyn W. de la L. Oulton -- 8. ‘Fleshly Inclinations’: The Nature of Female Desire in Rhoda Broughton’s Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards’ Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell’s ‘City Women’; Silvana Colella -- 11. ‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decade; Fionnuala Dillane -- 12.‘His eyes commanded me to come to him’: Desire and Mesmerism in Rhoda Broughton’s ‘The Man with the Nose’; Melissa Purdue -- 13. ‘[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood’s Johnny Ludlow Stories; Alyson Hunt -- 14. ‘Sinecures which could be held by girls’: Margaret Oliphant and Women’s Labour; Danielle Charette -- 15. ‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s Her Father’s Name; Catherine Pope -- 16. ‘I am writing the life of a horse’: Anna Sewell’s Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon’s 1870s Fiction; Janine Hatter. .
This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840–1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume’s 16 original essays consider such developments as the sensation craze, the impact of new technologies, and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s.
ISBN: 9783030385286
Standard No.: 10.1007/978-3-030-38528-6doiSubjects--Topical Terms:
1104874
British and Irish Literature.
LC Class. No.: PN760.5-769
Dewey Class. No.: 809.034
British Women's Writing from Brontë to Bloomsbury, Volume 2 = 1860s and 1870s /
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1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. ‘Duck him!’: Private Feelings, Public Interests, and Ellen Wood’s East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway ‘Monomania’ and Investigations of Gender in Lady Audley’s Secret; Andrew F. Humphries -- 5. ‘There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell’s Sylvia’s Lovers and A Dark Night’s Work; Elizabeth Ludlow -- 6. ‘The plain duties which are set before me’: Charity, Agency, and Women’s Work in the 1860s; Kristine Moruzi -- 7.‘[S]mothered under rose-leaves’: Violent Sensation and the Location of the Feminine in Eliza Lynn Linton’s Sowing the Wind; Carolyn W. de la L. Oulton -- 8. ‘Fleshly Inclinations’: The Nature of Female Desire in Rhoda Broughton’s Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards’ Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell’s ‘City Women’; Silvana Colella -- 11. ‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decade; Fionnuala Dillane -- 12.‘His eyes commanded me to come to him’: Desire and Mesmerism in Rhoda Broughton’s ‘The Man with the Nose’; Melissa Purdue -- 13. ‘[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood’s Johnny Ludlow Stories; Alyson Hunt -- 14. ‘Sinecures which could be held by girls’: Margaret Oliphant and Women’s Labour; Danielle Charette -- 15. ‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s Her Father’s Name; Catherine Pope -- 16. ‘I am writing the life of a horse’: Anna Sewell’s Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon’s 1870s Fiction; Janine Hatter. .
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