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The Graphic Lives of Fathers = Memor...
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The Graphic Lives of Fathers = Memory, Representation, and Fatherhood in North American Autobiographical Comics /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Graphic Lives of Fathers/ by Mihaela Precup.
其他題名:
Memory, Representation, and Fatherhood in North American Autobiographical Comics /
作者:
Precup, Mihaela.
面頁冊數:
XVI, 244 p. 21 illus., 14 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Contemporary Literature. -
電子資源:
https://doi.org/10.1007/978-3-030-36218-8
ISBN:
9783030362188
The Graphic Lives of Fathers = Memory, Representation, and Fatherhood in North American Autobiographical Comics /
Precup, Mihaela.
The Graphic Lives of Fathers
Memory, Representation, and Fatherhood in North American Autobiographical Comics /[electronic resource] :by Mihaela Precup. - 1st ed. 2020. - XVI, 244 p. 21 illus., 14 illus. in color.online resource. - Palgrave Studies in Comics and Graphic Novels,2634-6370. - Palgrave Studies in Comics and Graphic Novels,.
1. Introduction Comics, Fatherhood, and Autobiographical Representation -- 2. “A Good and Decent Man”: Fatherhood, Trauma, and Post-War Masculinity in Carol Tyler’s Soldier’s Heart -- 3. “He was there to catch me when I leapt”: Paternal Absence and Artistic Emancipation in Alison Bechdel’s Fun Home -- 4. “As long as he was there, I felt safe”: Fatherhood, Deception, and Detective Work in Laurie Sandell’s The Impostor’s Daughter -- 5. “To Dream of Birds”: The Father as Potential Perpetrator in Nina Bunjevac’s “August 1977” and Fatherland -- 6. “A Doting Fool”: The Limits of Fatherhood in R. Crumb’s Sophie Stories -- 7. “Emasculated by the Diaper Bag”: Aging, Masculinity, and Fatherhood in Joe Ollmann’s Mid-Life -- 8. “When the Monsters Come Jello Them”: Fatherhood, Vulnerability, and the Magic of the Mundane in James Kochalka’s American Elf -- 9. “You Tell Your Father He Did a Good Job”: Sons, Fathers, and Inter-generational Dynamics in Jeffrey Brown’s A Matter of Life -- 10. Conclusion.
“This book makes a high-quality and original contribution to the field…Mihaela Precup demonstrates a superb grasp of the scholarship in the fields of Comics Studies and autobiography studies and related areas, and the works analyzed combine widely studied examples such as Fun Home with less well discussed works such as the comics of Joe Ollmann. …Her close readings are selective and analytical, adding both depth and context to the works under discussion.” --Ian Hague, Contextual and Theoretical Studies Coordinator, London College of Communication, University of the Arts London, UK This book explores the representation of fatherhood in contemporary North American autobiographical comics that depict paternal conduct from the post-war period up to the present. It offers equal space to autobiographical comics penned by daughters who represent their fathers’ complicated and often disappointing behavior, and to works by male cartoonists who depict and usually celebrate their own experiences as fathers. This book asks questions about how the desire to forgive or be forgiven can compromise the authors’ ethics or dictate style, considers the ownership of life stories whose subjects cannot or do not agree to be represented, and investigates the pervasive and complicated effects of dominant masculinities. By close reading these cartoonists’ complex strategies of (self-)representation, this volume also places photography and archival work alongside the problematic legacy of self-deprecation carried on from underground comics, and shows how the vocabulary of graphic narration can work with other media and at the intersection of various genres and modes to produce a valuable scrutiny of contemporary norms of fatherhood. Mihaela Precup is an Associate Professor in the American Studies Program at the University of Bucharest, where she teaches American visual and popular culture, as well as contemporary American literature and comics studies. .
ISBN: 9783030362188
Standard No.: 10.1007/978-3-030-36218-8doiSubjects--Topical Terms:
1108131
Contemporary Literature.
LC Class. No.: P87-96
Dewey Class. No.: 302.23
The Graphic Lives of Fathers = Memory, Representation, and Fatherhood in North American Autobiographical Comics /
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1. Introduction Comics, Fatherhood, and Autobiographical Representation -- 2. “A Good and Decent Man”: Fatherhood, Trauma, and Post-War Masculinity in Carol Tyler’s Soldier’s Heart -- 3. “He was there to catch me when I leapt”: Paternal Absence and Artistic Emancipation in Alison Bechdel’s Fun Home -- 4. “As long as he was there, I felt safe”: Fatherhood, Deception, and Detective Work in Laurie Sandell’s The Impostor’s Daughter -- 5. “To Dream of Birds”: The Father as Potential Perpetrator in Nina Bunjevac’s “August 1977” and Fatherland -- 6. “A Doting Fool”: The Limits of Fatherhood in R. Crumb’s Sophie Stories -- 7. “Emasculated by the Diaper Bag”: Aging, Masculinity, and Fatherhood in Joe Ollmann’s Mid-Life -- 8. “When the Monsters Come Jello Them”: Fatherhood, Vulnerability, and the Magic of the Mundane in James Kochalka’s American Elf -- 9. “You Tell Your Father He Did a Good Job”: Sons, Fathers, and Inter-generational Dynamics in Jeffrey Brown’s A Matter of Life -- 10. Conclusion.
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