國立虎尾科技大學 |

Italian Goth Subculture = Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Italian Goth Subculture / by Simone Tosoni, Emanuela Zuccalà.
其他題名:	Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 /
作者:	Tosoni, Simone.
其他作者:	Zuccalà, Emanuela.
面頁冊數:	VII, 236 p.online resource. :
Contained By:	Springer Nature eBook
標題:	History of Modern Europe. -
電子資源:	https://doi.org/10.1007/978-3-030-39811-8
ISBN:	9783030398118

Italian Goth Subculture = Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 /
Tosoni, Simone.

Italian Goth Subculture Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 /[electronic resource] :by Simone Tosoni, Emanuela Zuccalà. - 1st ed. 2020. - VII, 236 p.online resource. - Palgrave Studies in the History of Subcultures and Popular Music,2730-9517. - Palgrave Studies in the History of Subcultures and Popular Music,.

1. Introduction: Enacting Goth in Milan in the ‘80s -- 2. The Research: Methods and Methodology -- 3. Der Himmel Über Milan: The City of Milan in the Early ‘80s -- 4. Another No Future: From anarcho-punk to the activist enactment of dark -- 5. A Batcave in Via Redi: The music club enactment of dark -- 6. Siberia: The Loner Enactment of Dark -- 7. Dark Canon -- 8. Conclusions: An Enactment Approach to Subcultures and Post-Subcultures.

This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccalà propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.

ISBN: 9783030398118

Standard No.: 10.1007/978-3-030-39811-8doiSubjects--Topical Terms:

1109195
History of Modern Europe.

LC Class. No.: DG11-980.2

Dewey Class. No.: 945

Italian Goth Subculture = Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 /
LDR:03512nam a22004095i 4500 001 1024525
003 DE-He213
005 20201103011515.0
007 cr nn 008mamaa
008 210318s2020 gw | s |||| 0|eng d
020 $a 9783030398118 $9 978-3-030-39811-8
024 7 $a 10.1007/978-3-030-39811-8 $2 doi
035 $a 978-3-030-39811-8
050 4 $a DG11-980.2
072 7 $a HBJD $2 bicssc
072 7 $a HIS020000 $2 bisacsh
072 7 $a NHD $2 thema
082 0 4 $a 945 $2 23
100 1 $a Tosoni, Simone. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1320696
245 1 0 $a Italian Goth Subculture $h [electronic resource] : $b Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 / $c by Simone Tosoni, Emanuela Zuccalà.
250 $a 1st ed. 2020.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a VII, 236 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Studies in the History of Subcultures and Popular Music, $x 2730-9517
505 0 $a 1. Introduction: Enacting Goth in Milan in the ‘80s -- 2. The Research: Methods and Methodology -- 3. Der Himmel Über Milan: The City of Milan in the Early ‘80s -- 4. Another No Future: From anarcho-punk to the activist enactment of dark -- 5. A Batcave in Via Redi: The music club enactment of dark -- 6. Siberia: The Loner Enactment of Dark -- 7. Dark Canon -- 8. Conclusions: An Enactment Approach to Subcultures and Post-Subcultures.
520 $a This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccalà propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.
650 2 4 $a History of Modern Europe. $3 1109195
650 2 4 $a Cultural History. $3 1106960
650 2 4 $a Social History. $3 1104891
650 2 4 $a Popular Culture . $3 1267872
650 1 4 $a History of Italy. $3 1107523
650 0 $a Europe—History—1492-. $3 1259086
650 0 $a Civilization—History. $3 1254101
650 0 $a Social history. $3 559581
650 0 $a Popular Culture. $3 1115695
650 0 $a Italy—History. $3 1255895
700 1 $a Zuccalà, Emanuela. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1320697
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030398101
776 0 8 $i Printed edition: $z 9783030398125
776 0 8 $i Printed edition: $z 9783030398132
830 0 $a Palgrave Studies in the History of Subcultures and Popular Music, $x 2730-9517 $3 1270163
856 4 0 $u https://doi.org/10.1007/978-3-030-39811-8
912 $a ZDB-2-HTY
912 $a ZDB-2-SXH
950 $a History (SpringerNature-41172)
950 $a History (R0) (SpringerNature-43722)