語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Contemporary African Dance Theatre =...
~
Sörgel, Sabine.
Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Contemporary African Dance Theatre/ by Sabine Sörgel.
其他題名:
Phenomenology, Whiteness, and the Gaze /
作者:
Sörgel, Sabine.
面頁冊數:
IX, 174 p. 13 illus., 12 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
African Culture. -
電子資源:
https://doi.org/10.1007/978-3-030-41501-3
ISBN:
9783030415013
Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
Sörgel, Sabine.
Contemporary African Dance Theatre
Phenomenology, Whiteness, and the Gaze /[electronic resource] :by Sabine Sörgel. - 1st ed. 2020. - IX, 174 p. 13 illus., 12 illus. in color.online resource. - New World Choreographies,2730-9266. - New World Choreographies,.
1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. .
ISBN: 9783030415013
Standard No.: 10.1007/978-3-030-41501-3doiSubjects--Topical Terms:
1108645
African Culture.
LC Class. No.: PN1560-1590
Dewey Class. No.: 792.8
Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
LDR
:02810nam a22004095i 4500
001
1024527
003
DE-He213
005
20201019152746.0
007
cr nn 008mamaa
008
210318s2020 gw | s |||| 0|eng d
020
$a
9783030415013
$9
978-3-030-41501-3
024
7
$a
10.1007/978-3-030-41501-3
$2
doi
035
$a
978-3-030-41501-3
050
4
$a
PN1560-1590
072
7
$a
ASD
$2
bicssc
072
7
$a
PER003000
$2
bisacsh
072
7
$a
ATQ
$2
thema
082
0 4
$a
792.8
$2
23
100
1
$a
Sörgel, Sabine.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1320699
245
1 0
$a
Contemporary African Dance Theatre
$h
[electronic resource] :
$b
Phenomenology, Whiteness, and the Gaze /
$c
by Sabine Sörgel.
250
$a
1st ed. 2020.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
IX, 174 p. 13 illus., 12 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
New World Choreographies,
$x
2730-9266
505
0
$a
1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
520
$a
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. .
650
2 4
$a
African Culture.
$3
1108645
650
2 4
$a
Applied Theatre.
$3
1297529
650
2 4
$a
Performers and Practitioners.
$3
1172194
650
2 4
$a
Contemporary Theatre.
$3
1141651
650
2 4
$a
Performing Arts.
$3
670086
650
0
$a
Ethnology—Africa.
$3
1254203
650
0
$a
Actors.
$2
fast
$3
1006855
650
0
$a
Theater.
$2
swd
$3
836732
650
0
$a
Performing arts.
$3
556749
650
0
$a
Dance.
$3
556850
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030415006
776
0 8
$i
Printed edition:
$z
9783030415020
776
0 8
$i
Printed edition:
$z
9783030415037
830
0
$a
New World Choreographies,
$x
2730-9266
$3
1255857
856
4 0
$u
https://doi.org/10.1007/978-3-030-41501-3
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入