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Post-Crisis European Cinema = White ...
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SpringerLink (Online service)
Post-Crisis European Cinema = White Men in Off-Modern Landscapes /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Post-Crisis European Cinema/ by György Kalmár.
Reminder of title:
White Men in Off-Modern Landscapes /
Author:
Kalmár, György.
Description:
XVIII, 273 p. 38 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures—European influences. -
Online resource:
https://doi.org/10.1007/978-3-030-45035-9
ISBN:
9783030450359
Post-Crisis European Cinema = White Men in Off-Modern Landscapes /
Kalmár, György.
Post-Crisis European Cinema
White Men in Off-Modern Landscapes /[electronic resource] :by György Kalmár. - 1st ed. 2020. - XVIII, 273 p. 38 illus.online resource.
Introduction -- CHAPTER 1: Men in Retreat on the Margins of Europe -- CHAPTER 2: Old, Useless Men -- CHAPTER 3: Narratives of Migration -- CHAPTER 4: Unprocessed Pasts (and white guilt) -- CHAPTER 5: Routes of escapism -- CHAPTER 6: The Lads of the New Right -- Conclusion.
This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
ISBN: 9783030450359
Standard No.: 10.1007/978-3-030-45035-9doiSubjects--Topical Terms:
1255460
Motion pictures—European influences.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4094
Post-Crisis European Cinema = White Men in Off-Modern Landscapes /
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Introduction -- CHAPTER 1: Men in Retreat on the Margins of Europe -- CHAPTER 2: Old, Useless Men -- CHAPTER 3: Narratives of Migration -- CHAPTER 4: Unprocessed Pasts (and white guilt) -- CHAPTER 5: Routes of escapism -- CHAPTER 6: The Lads of the New Right -- Conclusion.
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This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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