國立虎尾科技大學 |

European Cinema in the Twenty-First Century = Discourses, Directions and Genres /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	European Cinema in the Twenty-First Century/ edited by Ingrid Lewis, Laura Canning.
其他題名:	Discourses, Directions and Genres /
其他作者:	Canning, Laura.
面頁冊數:	XXI, 343 p. 33 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Film Theory. -
電子資源:	https://doi.org/10.1007/978-3-030-33436-9
ISBN:	9783030334369

European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
European Cinema in the Twenty-First CenturyDiscourses, Directions and Genres /[electronic resource] :edited by Ingrid Lewis, Laura Canning. - 1st ed. 2020. - XXI, 343 p. 33 illus.online resource.

1. Introduction: The Identity of European Cinema - Ingrid Lewis and Laura Canning -- PART I: Discourses -- 2.Nordic Cinema and Ecology: From Representation to Brainprint - Pietari Kääpa -- 3.Migrations in European Documentary - Adam Vaughan -- 4. Questioning the “Normality Drama”: The Representation of Disability - Eleanor Andrews -- 5.Women’s Memories in Holocaust Cinema - Ingrid Lewis -- 6. A Warrior and His Inevitable Defeat in Post-Yugoslav Cinema - Dino Murtić -- PART II: Directions -- 7. Manoel de Oliveira Revisited: Auteur Cinema in the Twenty-First-Century - Ingrid Lewis and Irena Sever Globan -- 8. From The Death of Mr. Lăzărescu to the Rebirth of Romanian Cinema - Doru Pop -- 9. Connecting Through Denial: Small Eastern European Cinemas/Mainstream Recognition - Andrea Virginás -- 10. “I choose a film for the story… not for the awards”: Explaining the transnational appeal of contemporary European films - Huw Jones -- 11. A Political Economic Analysis of the Provision of Tax Incentives in Irish Cinema - Laura Canning and Maria O’Brien -- PART III: Genres -- 12. On the Eve of the Journey: The New European Road Movie - Laura Rascaroli -- 13. Analysing European Neo-Noir Cinema - Begoña Gutiérrez Martínez -- 14. Dystopia Regained: European Science Fiction Film - Mariano Paz -- 15. Spanish Horror Film - Vicente Rodriguez Ortega and Rubén Romero Santos -- 16. European Animated Film - Joshua Gulam.

This book articulates a way of rethinking the study of European cinema that centres on students and their needs, in an accessible and comprehensive monograph introducing film students to the main discourses, directions and genres of twenty-first century European Cinema. Importantly, this collection is the first of its kind to apply a transversal approach to European cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European Cinema, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international contexts which underpin them. This book makes a strong contribution to our understanding of recent European Cinema, while providing an invaluable resource for lecturers and students across a variety of film-centred modules. .

ISBN: 9783030334369

Standard No.: 10.1007/978-3-030-33436-9doiSubjects--Topical Terms:

1108149
Film Theory.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4094

European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
LDR:03842nam a22003855i 4500 001 1028063
003 DE-He213
005 20200701231716.0
007 cr nn 008mamaa
008 210318s2020 gw | s |||| 0|eng d
020 $a 9783030334369 $9 978-3-030-33436-9
024 7 $a 10.1007/978-3-030-33436-9 $2 doi
035 $a 978-3-030-33436-9
050 4 $a PN1993-1999
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4094 $2 23
245 1 0 $a European Cinema in the Twenty-First Century $h [electronic resource] : $b Discourses, Directions and Genres / $c edited by Ingrid Lewis, Laura Canning.
250 $a 1st ed. 2020.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XXI, 343 p. 33 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction: The Identity of European Cinema - Ingrid Lewis and Laura Canning -- PART I: Discourses -- 2.Nordic Cinema and Ecology: From Representation to Brainprint - Pietari Kääpa -- 3.Migrations in European Documentary - Adam Vaughan -- 4. Questioning the “Normality Drama”: The Representation of Disability - Eleanor Andrews -- 5.Women’s Memories in Holocaust Cinema - Ingrid Lewis -- 6. A Warrior and His Inevitable Defeat in Post-Yugoslav Cinema - Dino Murtić -- PART II: Directions -- 7. Manoel de Oliveira Revisited: Auteur Cinema in the Twenty-First-Century - Ingrid Lewis and Irena Sever Globan -- 8. From The Death of Mr. Lăzărescu to the Rebirth of Romanian Cinema - Doru Pop -- 9. Connecting Through Denial: Small Eastern European Cinemas/Mainstream Recognition - Andrea Virginás -- 10. “I choose a film for the story… not for the awards”: Explaining the transnational appeal of contemporary European films - Huw Jones -- 11. A Political Economic Analysis of the Provision of Tax Incentives in Irish Cinema - Laura Canning and Maria O’Brien -- PART III: Genres -- 12. On the Eve of the Journey: The New European Road Movie - Laura Rascaroli -- 13. Analysing European Neo-Noir Cinema - Begoña Gutiérrez Martínez -- 14. Dystopia Regained: European Science Fiction Film - Mariano Paz -- 15. Spanish Horror Film - Vicente Rodriguez Ortega and Rubén Romero Santos -- 16. European Animated Film - Joshua Gulam.
520 $a This book articulates a way of rethinking the study of European cinema that centres on students and their needs, in an accessible and comprehensive monograph introducing film students to the main discourses, directions and genres of twenty-first century European Cinema. Importantly, this collection is the first of its kind to apply a transversal approach to European cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European Cinema, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international contexts which underpin them. This book makes a strong contribution to our understanding of recent European Cinema, while providing an invaluable resource for lecturers and students across a variety of film-centred modules. .
650 2 4 $a Film Theory. $3 1108149
650 2 4 $a Genre. $3 1108142
650 2 4 $a Film/TV Industry. $3 1116367
650 1 4 $a European Cinema and TV. $3 1211764
650 0 $a Film genres. $3 656792
650 0 $a Motion pictures. $3 562481
650 0 $a Motion pictures—European influences. $3 1255460
700 1 $a Canning, Laura. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1324578
700 1 $a Lewis, Ingrid. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1198273
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030334352
776 0 8 $i Printed edition: $z 9783030334376
856 4 0 $u https://doi.org/10.1007/978-3-030-33436-9
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)