國立虎尾科技大學 |

Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Pop with Gods, Shakespeare, and AI/ by Iris H. Tuan.
其他題名:	Popular Film, (Musical) Theatre, and TV Drama /
作者:	Tuan, Iris H.
面頁冊數:	XXV, 210 p. 64 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Adaptation Studies. -
電子資源:	https://doi.org/10.1007/978-981-15-7297-5
ISBN:	9789811572975

Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
Tuan, Iris H.

Pop with Gods, Shakespeare, and AIPopular Film, (Musical) Theatre, and TV Drama /[electronic resource] :by Iris H. Tuan. - 1st ed. 2020. - XXV, 210 p. 64 illus. in color.online resource.

1 Introduction: Popular Visual Culture in Film, Theatre and TV Drama -- Part I Literature, Film, and Theatre -- 2 Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music -- 3 Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds -- 4 Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women -- Part II Asian American Play, Asian Theatre, and Musical Theater -- 5 Face, Race, and Performance: Arousal by Face and Identity Transformation -- 6 Dance Tango and Sing for Revenge in Chicago and The Visit.-Part III TV Drama, Robot Theatre and AI Films -- 7 Theatre, Performance, and Popular Story of Yanxi Palace -- 8 Hakka Theatre: Roseki Taipei Singer -- 9 Robot Theatre and AI Films -- 10 Conclusion.

‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known while others little known outside their place of origin -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources to "low" ones. The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies, and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. Iris H. Tuan is Professor at National Chiao Tung University, Taiwan. She received her Ph.D. in Theater from UCLA and has been a Visiting Scholar at Harvard University. Tuan’s selected publications include papers published by Asian Theatre Journal, and nine books, including Translocal Performance in Asian Theatre and Film, Intercultural Theatre: Adaptation and Representation, Western Canon in Taiwan Theatre, Alternative Theater in Taiwan, and Transnational Performance, Identity, and Mobility in Asia (edited with Ivy I-chu Chang). Tuan is the recipient of NCTU Outstanding Research Awards. .

ISBN: 9789811572975

Standard No.: 10.1007/978-981-15-7297-5doiSubjects--Topical Terms:

1211229
Adaptation Studies.

LC Class. No.: HM623

Dewey Class. No.: 306

Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
LDR:04430nam a22003975i 4500 001 1028473
003 DE-He213
005 20201123184220.0
007 cr nn 008mamaa
008 210318s2020 si | s |||| 0|eng d
020 $a 9789811572975 $9 978-981-15-7297-5
024 7 $a 10.1007/978-981-15-7297-5 $2 doi
035 $a 978-981-15-7297-5
050 4 $a HM623
072 7 $a JFC $2 bicssc
072 7 $a SOC026000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306 $2 23
100 1 $a Tuan, Iris H. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1203923
245 1 0 $a Pop with Gods, Shakespeare, and AI $h [electronic resource] : $b Popular Film, (Musical) Theatre, and TV Drama / $c by Iris H. Tuan.
250 $a 1st ed. 2020.
264 1 $a Singapore : $b Springer Singapore : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XXV, 210 p. 64 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1 Introduction: Popular Visual Culture in Film, Theatre and TV Drama -- Part I Literature, Film, and Theatre -- 2 Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music -- 3 Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds -- 4 Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women -- Part II Asian American Play, Asian Theatre, and Musical Theater -- 5 Face, Race, and Performance: Arousal by Face and Identity Transformation -- 6 Dance Tango and Sing for Revenge in Chicago and The Visit.-Part III TV Drama, Robot Theatre and AI Films -- 7 Theatre, Performance, and Popular Story of Yanxi Palace -- 8 Hakka Theatre: Roseki Taipei Singer -- 9 Robot Theatre and AI Films -- 10 Conclusion.
520 $a ‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known while others little known outside their place of origin -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources to "low" ones. The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies, and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. Iris H. Tuan is Professor at National Chiao Tung University, Taiwan. She received her Ph.D. in Theater from UCLA and has been a Visiting Scholar at Harvard University. Tuan’s selected publications include papers published by Asian Theatre Journal, and nine books, including Translocal Performance in Asian Theatre and Film, Intercultural Theatre: Adaptation and Representation, Western Canon in Taiwan Theatre, Alternative Theater in Taiwan, and Transnational Performance, Identity, and Mobility in Asia (edited with Ivy I-chu Chang). Tuan is the recipient of NCTU Outstanding Research Awards. .
650 2 4 $a Adaptation Studies. $3 1211229
650 2 4 $a Popular Culture . $3 1267872
650 2 4 $a Performing Arts. $3 670086
650 2 4 $a Asian Culture. $3 1107945
650 1 4 $a Cultural Studies. $3 891488
650 0 $a Motion pictures. $3 562481
650 0 $a Popular Culture. $3 1115695
650 0 $a Performing arts. $3 556749
650 0 $a Ethnology—Asia. $3 1254172
650 0 $a Cultural studies. $2 bicssc $3 809557
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9789811572968
776 0 8 $i Printed edition: $z 9789811572982
776 0 8 $i Printed edition: $z 9789811572999
856 4 0 $u https://doi.org/10.1007/978-981-15-7297-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)