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An Economic Approach to the Plagiari...
~
Cameron, Samuel.
An Economic Approach to the Plagiarism of Music
Record Type:
Language materials, printed : Monograph/item
Title/Author:
An Economic Approach to the Plagiarism of Music/ by Samuel Cameron.
Author:
Cameron, Samuel.
Description:
IX, 141 p. 2 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Economic policy. -
Online resource:
https://doi.org/10.1007/978-3-030-42109-0
ISBN:
9783030421090
An Economic Approach to the Plagiarism of Music
Cameron, Samuel.
An Economic Approach to the Plagiarism of Music
[electronic resource] /by Samuel Cameron. - 1st ed. 2020. - IX, 141 p. 2 illus.online resource. - Cultural Economics & the Creative Economy,2662-4478. - Cultural Economics & the Creative Economy,.
Chapter 1. What is Plagiarism and What is Musical Plagiarism? -- Chapter 2. Plagiarism the Old Fashioned Way: Steal from a Composition -- Chapter 3. Sampling, Samples and Library Music -- Chapter 4. Policy Issues -- Appendix.
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
ISBN: 9783030421090
Standard No.: 10.1007/978-3-030-42109-0doiSubjects--Topical Terms:
555567
Economic policy.
LC Class. No.: HD87-87.55
Dewey Class. No.: 338.9
An Economic Approach to the Plagiarism of Music
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Chapter 1. What is Plagiarism and What is Musical Plagiarism? -- Chapter 2. Plagiarism the Old Fashioned Way: Steal from a Composition -- Chapter 3. Sampling, Samples and Library Music -- Chapter 4. Policy Issues -- Appendix.
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This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
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