國立虎尾科技大學 |

Adorno’s Aesthetics as a Literary Theory of Art

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Adorno’s Aesthetics as a Literary Theory of Art/ by Mario Farina.
作者:	Farina, Mario.
面頁冊數:	XIX, 237 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Critical Theory. -
電子資源:	https://doi.org/10.1007/978-3-030-45281-0
ISBN:	9783030452810

Adorno’s Aesthetics as a Literary Theory of Art
Farina, Mario.

Adorno’s Aesthetics as a Literary Theory of Art[electronic resource] /by Mario Farina. - 1st ed. 2020. - XIX, 237 p.online resource.

1. Construction of 'Aesthetics' as Construction of 'The Aesthetic' -- 2. The Philosophy of Music and the Dissolution of the Aesthetic -- 3. Literature and the Reconstruction of the Aesthetic -- 4. Adorno's Philosophy of Literature: A Theory of Literary Interpretation -- 5. Beyond Modernism: The American Postmodern Novel.

This book re-examines Adorno’s aesthetics, developing a new literary approach that aims to unveil hidden elements of Adorno’s thought. Farina proposes to read Adorno’s aesthetics as a literary theory of art, showing its efficacy in its comprehension of the most advanced trends of contemporary literature. As a result, this book provides an image of Adorno’s aesthetics as a complete, satisfying and consistent philosophy of literature, a robust theory which is able to stand its ground in contemporary aesthetic debate. Challenging the prevalent prejudice that defines Adorno’s thought, and especially his aesthetics, as ‘modernist’, Farina argues that Adorno's philosophy of literature shows its value precisely in its application to and comprehension of postmodern literature, such as the works of Thomas Pynchon, Don DeLillo and David Foster Wallace. Precise and compelling, this book provides a new paradigm for understanding Adorno’s theory of artwork, serving as an essential reference for researches investigating the relation between classical critical theory and contemporary art.

ISBN: 9783030452810

Standard No.: 10.1007/978-3-030-45281-0doiSubjects--Topical Terms:

1111035
Critical Theory.

LC Class. No.: BH1-301

Dewey Class. No.: 111.85

Adorno’s Aesthetics as a Literary Theory of Art
LDR:02756nam a22003975i 4500 001 1028774
003 DE-He213
005 20200702130153.0
007 cr nn 008mamaa
008 210318s2020 gw | s |||| 0|eng d
020 $a 9783030452810 $9 978-3-030-45281-0
024 7 $a 10.1007/978-3-030-45281-0 $2 doi
035 $a 978-3-030-45281-0
050 4 $a BH1-301
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
072 7 $a QDTN $2 thema
082 0 4 $a 111.85 $2 23
100 1 $a Farina, Mario. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1325358
245 1 0 $a Adorno’s Aesthetics as a Literary Theory of Art $h [electronic resource] / $c by Mario Farina.
250 $a 1st ed. 2020.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XIX, 237 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Construction of 'Aesthetics' as Construction of 'The Aesthetic' -- 2. The Philosophy of Music and the Dissolution of the Aesthetic -- 3. Literature and the Reconstruction of the Aesthetic -- 4. Adorno's Philosophy of Literature: A Theory of Literary Interpretation -- 5. Beyond Modernism: The American Postmodern Novel.
520 $a This book re-examines Adorno’s aesthetics, developing a new literary approach that aims to unveil hidden elements of Adorno’s thought. Farina proposes to read Adorno’s aesthetics as a literary theory of art, showing its efficacy in its comprehension of the most advanced trends of contemporary literature. As a result, this book provides an image of Adorno’s aesthetics as a complete, satisfying and consistent philosophy of literature, a robust theory which is able to stand its ground in contemporary aesthetic debate. Challenging the prevalent prejudice that defines Adorno’s thought, and especially his aesthetics, as ‘modernist’, Farina argues that Adorno's philosophy of literature shows its value precisely in its application to and comprehension of postmodern literature, such as the works of Thomas Pynchon, Don DeLillo and David Foster Wallace. Precise and compelling, this book provides a new paradigm for understanding Adorno’s theory of artwork, serving as an essential reference for researches investigating the relation between classical critical theory and contemporary art.
650 2 4 $a Critical Theory. $3 1111035
650 0 $a Critical theory. $3 557624
650 0 $a Aesthetics. $3 555008
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030452803
776 0 8 $i Printed edition: $z 9783030452827
776 0 8 $i Printed edition: $z 9783030452834
856 4 0 $u https://doi.org/10.1007/978-3-030-45281-0
912 $a ZDB-2-REP
912 $a ZDB-2-SXPR
950 $a Religion and Philosophy (SpringerNature-41175)
950 $a Philosophy and Religion (R0) (SpringerNature-43725)