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Modernism and Mimesis
~
D. Dowden, Stephen.
Modernism and Mimesis
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Modernism and Mimesis/ by Stephen D. Dowden.
Author:
D. Dowden, Stephen.
Description:
IX, 283 p. 9 illus., 8 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature. -
Online resource:
https://doi.org/10.1007/978-3-030-53134-8
ISBN:
9783030531348
Modernism and Mimesis
D. Dowden, Stephen.
Modernism and Mimesis
[electronic resource] /by Stephen D. Dowden. - 1st ed. 2020. - IX, 283 p. 9 illus., 8 illus. in color.online resource.
1. Chapter 1: Uneasy Modernism -- 2. Chapter 2: Novelistic Style and the Disappearance of Breakfast -- 3. Chapter 3: Painting the World Picture -- 4. Chapter 4: Music as Natural Magic -- 5. Chapter 5: The Gift of Babel.
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
ISBN: 9783030531348
Standard No.: 10.1007/978-3-030-53134-8doiSubjects--Topical Terms:
557269
Literature.
LC Class. No.: PN1-6790
Dewey Class. No.: 800
Modernism and Mimesis
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1. Chapter 1: Uneasy Modernism -- 2. Chapter 2: Novelistic Style and the Disappearance of Breakfast -- 3. Chapter 3: Painting the World Picture -- 4. Chapter 4: Music as Natural Magic -- 5. Chapter 5: The Gift of Babel.
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This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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