國立虎尾科技大學 |

Experimental Film and Photochemical Practices

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Experimental Film and Photochemical Practices/ by Kim Knowles.
作者:	Knowles, Kim.
面頁冊數:	XV, 255 p. 46 illus., 34 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Film History. -
電子資源:	https://doi.org/10.1007/978-3-030-44309-2
ISBN:	9783030443092

Experimental Film and Photochemical Practices
Knowles, Kim.

Experimental Film and Photochemical Practices[electronic resource] /by Kim Knowles. - 1st ed. 2020. - XV, 255 p. 46 illus., 34 illus. in color.online resource. - Experimental Film and Artists’ Moving Image,2523-7527. - Experimental Film and Artists’ Moving Image,.

Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion.

This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.

ISBN: 9783030443092

Standard No.: 10.1007/978-3-030-44309-2doiSubjects--Topical Terms:

1105134
Film History.

LC Class. No.: PN1995.9.E96

Dewey Class. No.: 791.4361

Experimental Film and Photochemical Practices
LDR:02630nam a22004095i 4500 001 1029819
003 DE-He213
005 20200929132233.0
007 cr nn 008mamaa
008 210318s2020 gw | s |||| 0|eng d
020 $a 9783030443092 $9 978-3-030-44309-2
024 7 $a 10.1007/978-3-030-44309-2 $2 doi
035 $a 978-3-030-44309-2
050 4 $a PN1995.9.E96
072 7 $a APFN $2 bicssc
072 7 $a ART057000 $2 bisacsh
072 7 $a ATF $x 6AQ $2 thema
082 0 4 $a 791.4361 $2 23
100 1 $a Knowles, Kim. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1326635
245 1 0 $a Experimental Film and Photochemical Practices $h [electronic resource] / $c by Kim Knowles.
250 $a 1st ed. 2020.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XV, 255 p. 46 illus., 34 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Experimental Film and Artists’ Moving Image, $x 2523-7527
505 0 $a Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion.
520 $a This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
650 2 4 $a Film History. $3 1105134
650 1 4 $a Experimental Film. $3 1299681
650 0 $a Arts. $3 577996
650 0 $a Motion pictures—History. $3 1254173
650 0 $a Experimental films. $3 1299680
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030443085
776 0 8 $i Printed edition: $z 9783030443108
776 0 8 $i Printed edition: $z 9783030443115
830 0 $a Experimental Film and Artists’ Moving Image, $x 2523-7527 $3 1280504
856 4 0 $u https://doi.org/10.1007/978-3-030-44309-2
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)