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Consumer Nationalism and Barr’s Irn-Bru in Scotland
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Consumer Nationalism and Barr’s Irn-Bru in Scotland/ by David Leishman.
作者:
Leishman, David.
面頁冊數:
XVI, 264 p. 15 illus., 12 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
British Culture. -
電子資源:
https://doi.org/10.1007/978-3-030-53382-3
ISBN:
9783030533823
Consumer Nationalism and Barr’s Irn-Bru in Scotland
Leishman, David.
Consumer Nationalism and Barr’s Irn-Bru in Scotland
[electronic resource] /by David Leishman. - 1st ed. 2020. - XVI, 264 p. 15 illus., 12 illus. in color.online resource. - Consumption and Public Life. - Consumption and Public Life.
1. Introduction -- 2. The Power of Origins -- 3. From Girders: Discourses of National Strength -- 4. Consumer Nationalism in Popular and Material Culture -- 5. Scotland’s Other: Defining Oppositional Identities -- 6. Conclusion.
This book connects a detailed analysis of Irn-Bru’s brand identity over time to theories of national identity, consumer studies, and banal nationalism. It situates the commercial history of Barr’s Irn-Bru in a transnational context and shows how Irn-Bru has become a symbol of Scotland through processes of rewriting, reframing and institutionalized forgetting, linking the consumption of what began as a trans-national generic product to a specific national community. As such, Leishman presents a longitudinal, cross-disciplinary approach to analysing branding and advertising as multi-modal forms of discourse, in order to underline the role of commercial, non-state actors and popular consumerism in the phenomenon of banal nationalism. It will be of interest to students and scholars researching nationalism, consumption, and Scottish studies.
ISBN: 9783030533823
Standard No.: 10.1007/978-3-030-53382-3doiSubjects--Topical Terms:
1110465
British Culture.
LC Class. No.: HM623
Dewey Class. No.: 306
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1. Introduction -- 2. The Power of Origins -- 3. From Girders: Discourses of National Strength -- 4. Consumer Nationalism in Popular and Material Culture -- 5. Scotland’s Other: Defining Oppositional Identities -- 6. Conclusion.
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