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Limits and Languages in Contemporary...
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Limits and Languages in Contemporary Irish Women's Poetry
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Limits and Languages in Contemporary Irish Women's Poetry/ by Daniela Theinová.
Author:
Theinová, Daniela.
Description:
XI, 281 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature, Modern—20th century. -
Online resource:
https://doi.org/10.1007/978-3-030-55954-0
ISBN:
9783030559540
Limits and Languages in Contemporary Irish Women's Poetry
Theinová, Daniela.
Limits and Languages in Contemporary Irish Women's Poetry
[electronic resource] /by Daniela Theinová. - 1st ed. 2020. - XI, 281 p. 1 illus.online resource. - New Directions in Irish and Irish American Literature,2731-3182. - New Directions in Irish and Irish American Literature,.
1. Introduction: Uncertain Identities -- 2. Part I: NEW LANDS FOR NEW WORDS -- 3. Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibboleths -- 4. Figures in a Landscape: Women on Language, Land and Desire -- 5. Part II: SECRET SCRIPTS -- 6. The Muse in Question: Tropes of Inspiration Revisited -- 7. Poetry of Silence: Rhetorical Concealment and the Possibility of Speech -- 8. Kinds of Between: The Margin as a Mainspring -- 9. Original in Translation: Poets between Languages -- 10. In and Out of Ireland: New Poets and New Places -- 11. Conclusion: Feminism after Poetry.
Limits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.
ISBN: 9783030559540
Standard No.: 10.1007/978-3-030-55954-0doiSubjects--Topical Terms:
1254198
Literature, Modern—20th century.
LC Class. No.: PN695-779
Dewey Class. No.: 809
Limits and Languages in Contemporary Irish Women's Poetry
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1. Introduction: Uncertain Identities -- 2. Part I: NEW LANDS FOR NEW WORDS -- 3. Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibboleths -- 4. Figures in a Landscape: Women on Language, Land and Desire -- 5. Part II: SECRET SCRIPTS -- 6. The Muse in Question: Tropes of Inspiration Revisited -- 7. Poetry of Silence: Rhetorical Concealment and the Possibility of Speech -- 8. Kinds of Between: The Margin as a Mainspring -- 9. Original in Translation: Poets between Languages -- 10. In and Out of Ireland: New Poets and New Places -- 11. Conclusion: Feminism after Poetry.
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Limits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.
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