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Shakespeare and Costume in Practice
~
Escolme, Bridget.
Shakespeare and Costume in Practice
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Shakespeare and Costume in Practice/ by Bridget Escolme.
Author:
Escolme, Bridget.
Description:
XI, 215 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature, Modern. -
Online resource:
https://doi.org/10.1007/978-3-030-57149-8
ISBN:
9783030571498
Shakespeare and Costume in Practice
Escolme, Bridget.
Shakespeare and Costume in Practice
[electronic resource] /by Bridget Escolme. - 1st ed. 2020. - XI, 215 p.online resource. - Shakespeare in Practice. - Shakespeare in Practice.
1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.
What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
ISBN: 9783030571498
Standard No.: 10.1007/978-3-030-57149-8doiSubjects--Topical Terms:
685063
Literature, Modern.
LC Class. No.: PN715-749
Dewey Class. No.: 809
Shakespeare and Costume in Practice
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1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.
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What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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