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Framing the Holocaust in Polish Aftermath Cinema = Posthumous Materiality and Unwanted Knowledge /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Framing the Holocaust in Polish Aftermath Cinema/ by Matilda Mroz.
其他題名:	Posthumous Materiality and Unwanted Knowledge /
作者:	Mroz, Matilda.
面頁冊數:	X, 298 p. 26 illus., 17 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	History of World War II and the Holocaust. -
電子資源:	https://doi.org/10.1057/978-1-137-46166-7
ISBN:	9781137461667

Framing the Holocaust in Polish Aftermath Cinema = Posthumous Materiality and Unwanted Knowledge /
Mroz, Matilda.

Framing the Holocaust in Polish Aftermath CinemaPosthumous Materiality and Unwanted Knowledge /[electronic resource] :by Matilda Mroz. - 1st ed. 2020. - X, 298 p. 26 illus., 17 illus. in color.online resource. - Palgrave Film Studies and Philosophy. - Palgrave Film Studies and Philosophy.

1. Aftermath cinema: unwanted knowledge, unwanted images -- 2. Earth and bone: framing posthumous materialities -- 3. Posthumous landscapes and the earth-archive: archaeology, ethics and Birthplace -- 4. Aftermath’s cinematic séance: anamorphosis, spectrality, and sentient matter -- 5. The fabric with its rend: framing grief, materialising loss, and Ida’s temporalities -- 6. A film found on a scrapheap: abjection, informe, and It Looks Pretty From A Distance .

This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman’s confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (Łoziński, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland’s aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.

ISBN: 9781137461667

Standard No.: 10.1057/978-1-137-46166-7doiSubjects--Topical Terms:

1104954
History of World War II and the Holocaust.

LC Class. No.: PN1992.63

Dewey Class. No.: 791.4

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