國立虎尾科技大學 |

Egyptian art

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Egyptian art/ Jean Capart, Elie Faure, Victoria Charles.
作者:	Capart, Jean.
其他作者:	Charles, Victoria.
出版者:	New York :Parkstone International, : 2019.,
面頁冊數:	1 online resource (76 pages)
標題:	Art - Egypt. -
標題:	Egypt - Sources. - Economic conditions - 332 B.C.-640 A.D. -
電子資源:	https://portal.igpublish.com/iglibrary/search/PARKSTONEB0001091.html
ISBN:	9781644618738

Egyptian art
Capart, Jean.

Egyptian art[electronic resource] /Jean Capart, Elie Faure, Victoria Charles. - New York :Parkstone International,2019. - 1 online resource (76 pages)

Includes bibliographical references and index.

Egyptian -- Contents -- Introduction : the country: its characteristic aspects -- A glance at history -- The monuments -- Tutankhamun, Pharaoh of the eighteenth dynasty -- Akhenaten, Pharaoh of the eighteenth dynasty -- Nefertiti, Queen of the eighteenth dynasty -- Ramesses Ii, Pharaoh Of the nineteenth dynasty -- The twentieth dynasty -- The Egypt that does not die -- Epilogue -- Index.

Access restricted to authorized users and institutions.

Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defined by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fifteen or twenty centuries, the age of Christianity - between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fifty, perhaps - twice the time that separates us from Pericles and Phidias - between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal.

Mode of access: World Wide Web.

ISBN: 9781644618738Subjects--Topical Terms:

1348801
Art
--Egypt.Subjects--Geographical Terms:

799609
Egypt
--Economic conditions--332 B.C.-640 A.D.--Sources.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: N5350

Dewey Class. No.: 709.32

Egyptian art
LDR:02351nam a2200241 i 4500 001 1045529
006 m eo d
007 cr cn |||m|||a
008 211229t20192018nyu ob 001 0 eng d
020 $a 9781644618738
020 $a 9781683259213
035 $a PARKSTONEB0001091
050 0 0 $a N5350
082 0 0 $a 709.32
100 1 $a Capart, Jean. $3 1348799
245 1 0 $a Egyptian art $h [electronic resource] / $c Jean Capart, Elie Faure, Victoria Charles.
260 $a New York : $b Parkstone International, $c 2019.
260 $c ©2018
300 $a 1 online resource (76 pages)
504 $a Includes bibliographical references and index.
505 0 $a Egyptian -- Contents -- Introduction : the country: its characteristic aspects -- A glance at history -- The monuments -- Tutankhamun, Pharaoh of the eighteenth dynasty -- Akhenaten, Pharaoh of the eighteenth dynasty -- Nefertiti, Queen of the eighteenth dynasty -- Ramesses Ii, Pharaoh Of the nineteenth dynasty -- The twentieth dynasty -- The Egypt that does not die -- Epilogue -- Index.
506 $a Access restricted to authorized users and institutions.
520 3 $a Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defined by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fifteen or twenty centuries, the age of Christianity - between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fifty, perhaps - twice the time that separates us from Pericles and Phidias - between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal.
538 $a Mode of access: World Wide Web.
650 0 $a Art $z Egypt. $3 1348801
651 0 $a Egypt $x Economic conditions $y 332 B.C.-640 A.D. $v Sources. $3 799609
655 4 $a Electronic books. $2 local $3 554714
700 1 $a Charles, Victoria. $3 1293583
700 1 $a Faure, Elie. $3 1348800
856 4 0 $u https://portal.igpublish.com/iglibrary/search/PARKSTONEB0001091.html