語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The British Boxing Film
~
SpringerLink (Online service)
The British Boxing Film
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The British Boxing Film/ by Stephen Glynn.
作者:
Glynn, Stephen.
面頁冊數:
IX, 260 p. 7 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Cultural Studies. -
電子資源:
https://doi.org/10.1007/978-3-030-74210-2
ISBN:
9783030742102
The British Boxing Film
Glynn, Stephen.
The British Boxing Film
[electronic resource] /by Stephen Glynn. - 1st ed. 2021. - IX, 260 p. 7 illus. in color.online resource.
Chapter 1- Introduction: The Rules of Boxing on Film -- Part I The Silent Treatment- Chapter 2-Opening Rounds: 1895 –1918 -- Chapter 3- The Plot Thickens: 1919 – 1928 -- Part II The Sound Treatment-Chapter 4 – Boxing Sound and Vision: 1929 –1939 -- Chapter 5 - The Post-war Return: 1945–1960 -- Part III The Colour Treatment- Chapter 6 – Wider Representation: 1961–1999+ -- Chapter 7 – Final Rounds: 2000–Present -- Chapter 8 Conclusion: The Judges’ Verdict .
“Stephen Glynn is the authority on sport in British cinema, and The British Boxing Film is a very welcome addition to his previous surveys of the people’s game and the sport of kings. Glynn makes a highly persuasive case for the boxing picture as a site of significant cultural interest, especially through its engagement with class and gender politics. As relevant for social historians of sport as for film studies, The British Boxing Film is an undisputed knock-out winner.” James Chapman, Professor of Film Studies at the University of Leicester and editor of the Historical Journal of Film, Radio and Television. This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders but also the frequently censorious attitude of those in authority with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry Stephen Glynn lectures in Film and Television at De Montfort University, UK. This volume completes a trilogy of sports genre studies for Palgrave, following on from The British Football Film (2018) and The British Horseracing Film (2019).
ISBN: 9783030742102
Standard No.: 10.1007/978-3-030-74210-2doiSubjects--Topical Terms:
891488
Cultural Studies.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.40941
The British Boxing Film
LDR
:03785nam a22003975i 4500
001
1046554
003
DE-He213
005
20210820133336.0
007
cr nn 008mamaa
008
220103s2021 sz | s |||| 0|eng d
020
$a
9783030742102
$9
978-3-030-74210-2
024
7
$a
10.1007/978-3-030-74210-2
$2
doi
035
$a
978-3-030-74210-2
050
4
$a
PN1993-1999
072
7
$a
AP
$2
bicssc
072
7
$a
PER000000
$2
bisacsh
072
7
$a
AT
$2
thema
082
0 4
$a
791.40941
$2
23
100
1
$a
Glynn, Stephen.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
941106
245
1 4
$a
The British Boxing Film
$h
[electronic resource] /
$c
by Stephen Glynn.
250
$a
1st ed. 2021.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2021.
300
$a
IX, 260 p. 7 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Chapter 1- Introduction: The Rules of Boxing on Film -- Part I The Silent Treatment- Chapter 2-Opening Rounds: 1895 –1918 -- Chapter 3- The Plot Thickens: 1919 – 1928 -- Part II The Sound Treatment-Chapter 4 – Boxing Sound and Vision: 1929 –1939 -- Chapter 5 - The Post-war Return: 1945–1960 -- Part III The Colour Treatment- Chapter 6 – Wider Representation: 1961–1999+ -- Chapter 7 – Final Rounds: 2000–Present -- Chapter 8 Conclusion: The Judges’ Verdict .
520
$a
“Stephen Glynn is the authority on sport in British cinema, and The British Boxing Film is a very welcome addition to his previous surveys of the people’s game and the sport of kings. Glynn makes a highly persuasive case for the boxing picture as a site of significant cultural interest, especially through its engagement with class and gender politics. As relevant for social historians of sport as for film studies, The British Boxing Film is an undisputed knock-out winner.” James Chapman, Professor of Film Studies at the University of Leicester and editor of the Historical Journal of Film, Radio and Television. This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders but also the frequently censorious attitude of those in authority with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry Stephen Glynn lectures in Film and Television at De Montfort University, UK. This volume completes a trilogy of sports genre studies for Palgrave, following on from The British Football Film (2018) and The British Horseracing Film (2019).
650
2 4
$a
Cultural Studies.
$3
891488
650
2 4
$a
British Culture.
$3
1110465
650
2 4
$a
Sport Science .
$3
1257217
650
1 4
$a
British Cinema and TV.
$3
1228491
650
0
$a
Cultural studies.
$2
bicssc
$3
809557
650
0
$a
Ethnology—Europe.
$3
1253895
650
0
$a
Sports sciences.
$3
768965
650
0
$a
Motion pictures—Great Britain.
$3
1254391
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030742096
776
0 8
$i
Printed edition:
$z
9783030742119
776
0 8
$i
Printed edition:
$z
9783030742126
856
4 0
$u
https://doi.org/10.1007/978-3-030-74210-2
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入