語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Re/Imagining Depression = Creative A...
~
SpringerLink (Online service)
Re/Imagining Depression = Creative Approaches to “Feeling Bad” /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Re/Imagining Depression/ edited by Julie Hollenbach, Robin Alex McDonald.
其他題名:
Creative Approaches to “Feeling Bad” /
其他作者:
McDonald, Robin Alex.
面頁冊數:
XV, 219 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Popular Science in Psychology. -
電子資源:
https://doi.org/10.1007/978-3-030-80554-8
ISBN:
9783030805548
Re/Imagining Depression = Creative Approaches to “Feeling Bad” /
Re/Imagining Depression
Creative Approaches to “Feeling Bad” /[electronic resource] :edited by Julie Hollenbach, Robin Alex McDonald. - 1st ed. 2021. - XV, 219 p. 1 illus.online resource.
1 Re/Imagining Depression -- 2 The Alphabet of Feeling Bad Now -- 3 Feeling Brown, Feeling Down: Latina Affect, The Performativity of Race, and the Depressive Position -- 4 Not Down but Different: Depression in the Shadow of the Black Dog -- 5 Blue Histories: Thinking With Sadness in the Middle Ages -- 6 Teaching/Depression as a Queer Theory for Living -- 7 “Titled Things:” Materiality and Reification in Antidepressant Narratives -- 8 Variations on Depression in the Work of Ken Lum -- 9 Don’t We Hurt Like You? Examining the Lack of Portrayals of African American Women and Mental Health -- 10 Feeling Unproductive: Vivek Shraya on the creative labor of negative affect -- 11 I want to be a seashell, I want to be a mold, I want to be a spirit -- 12 Being Sita: Gayathri Ramprasad’s Shadows in the Sun -- 13 Toward the Ekstasis of Rilke’s Angels: The Value of Depression in Gwyneth Lewis’s Poetry and Memoir -- 14 Bird Says the Sound of Rewind -- 15 The present is what we are doing together. .
What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s Black Sun: Depression and Melancholia (1989), Andrew Solomon’s The Noonday Demon (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013), and Lars von Trier’s film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich’s Depression: A Public Feeling (2012) has answered the author’s own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-“impasse.” Inspired by Cvetkovich’s efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to “Feeling Bad” harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health “expert” to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of “depression.” Julie Hollenbach (NSCAD University) is a material culture scholar, independent curator, and arts writer whose work addresses contemporary and historic queer and feminine everyday domestic creative cultures using a queer femininist, critical race, and decolonial methodology. Robin Alex McDonald (Nipissing University / OCAD University) is an academic, independent curator, and arts writer whose research spans queer and trans contemporary art, art and social justice, museum studies and alternative curatorial methodologies, affect theory; madness and disability studies, and theories of love, collectivity, and “the social.”.
ISBN: 9783030805548
Standard No.: 10.1007/978-3-030-80554-8doiSubjects--Topical Terms:
783345
Popular Science in Psychology.
LC Class. No.: GN301-674
Dewey Class. No.: 306
Re/Imagining Depression = Creative Approaches to “Feeling Bad” /
LDR
:04937nam a22003975i 4500
001
1049751
003
DE-He213
005
20210921195212.0
007
cr nn 008mamaa
008
220103s2021 sz | s |||| 0|eng d
020
$a
9783030805548
$9
978-3-030-80554-8
024
7
$a
10.1007/978-3-030-80554-8
$2
doi
035
$a
978-3-030-80554-8
050
4
$a
GN301-674
072
7
$a
JHMC
$2
bicssc
072
7
$a
SOC002010
$2
bisacsh
072
7
$a
JHMC
$2
thema
082
0 4
$a
306
$2
23
245
1 0
$a
Re/Imagining Depression
$h
[electronic resource] :
$b
Creative Approaches to “Feeling Bad” /
$c
edited by Julie Hollenbach, Robin Alex McDonald.
250
$a
1st ed. 2021.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2021.
300
$a
XV, 219 p. 1 illus.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1 Re/Imagining Depression -- 2 The Alphabet of Feeling Bad Now -- 3 Feeling Brown, Feeling Down: Latina Affect, The Performativity of Race, and the Depressive Position -- 4 Not Down but Different: Depression in the Shadow of the Black Dog -- 5 Blue Histories: Thinking With Sadness in the Middle Ages -- 6 Teaching/Depression as a Queer Theory for Living -- 7 “Titled Things:” Materiality and Reification in Antidepressant Narratives -- 8 Variations on Depression in the Work of Ken Lum -- 9 Don’t We Hurt Like You? Examining the Lack of Portrayals of African American Women and Mental Health -- 10 Feeling Unproductive: Vivek Shraya on the creative labor of negative affect -- 11 I want to be a seashell, I want to be a mold, I want to be a spirit -- 12 Being Sita: Gayathri Ramprasad’s Shadows in the Sun -- 13 Toward the Ekstasis of Rilke’s Angels: The Value of Depression in Gwyneth Lewis’s Poetry and Memoir -- 14 Bird Says the Sound of Rewind -- 15 The present is what we are doing together. .
520
$a
What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s Black Sun: Depression and Melancholia (1989), Andrew Solomon’s The Noonday Demon (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013), and Lars von Trier’s film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich’s Depression: A Public Feeling (2012) has answered the author’s own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-“impasse.” Inspired by Cvetkovich’s efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to “Feeling Bad” harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health “expert” to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of “depression.” Julie Hollenbach (NSCAD University) is a material culture scholar, independent curator, and arts writer whose work addresses contemporary and historic queer and feminine everyday domestic creative cultures using a queer femininist, critical race, and decolonial methodology. Robin Alex McDonald (Nipissing University / OCAD University) is an academic, independent curator, and arts writer whose research spans queer and trans contemporary art, art and social justice, museum studies and alternative curatorial methodologies, affect theory; madness and disability studies, and theories of love, collectivity, and “the social.”.
650
2 4
$a
Popular Science in Psychology.
$3
783345
650
2 4
$a
Global/International Culture.
$3
1115696
650
1 4
$a
Cultural Anthropology.
$3
1105071
650
0
$a
Psychology.
$3
555998
650
0
$a
Culture.
$3
556041
650
0
$a
Ethnology.
$3
558761
700
1
$a
McDonald, Robin Alex.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1353960
700
1
$a
Hollenbach, Julie.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1353959
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030805531
776
0 8
$i
Printed edition:
$z
9783030805555
776
0 8
$i
Printed edition:
$z
9783030805562
856
4 0
$u
https://doi.org/10.1007/978-3-030-80554-8
912
$a
ZDB-2-SLS
912
$a
ZDB-2-SXS
950
$a
Social Sciences (SpringerNature-41176)
950
$a
Social Sciences (R0) (SpringerNature-43726)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入