語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Aesthetics of Horror Films = A S...
~
SpringerLink (Online service)
The Aesthetics of Horror Films = A Santayanan Perspective /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Aesthetics of Horror Films/ by Forrest Adam Sopuck.
其他題名:
A Santayanan Perspective /
作者:
Sopuck, Forrest Adam.
面頁冊數:
XIII, 131 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Genre. -
電子資源:
https://doi.org/10.1007/978-3-030-84346-5
ISBN:
9783030843465
The Aesthetics of Horror Films = A Santayanan Perspective /
Sopuck, Forrest Adam.
The Aesthetics of Horror Films
A Santayanan Perspective /[electronic resource] :by Forrest Adam Sopuck. - 1st ed. 2021. - XIII, 131 p.online resource.
Chapter 1: Introduction -- Chapter 2: Aesthetic Optimism -- Chapter 3: Fear in the Cinema and the Definition of Horror -- Chapter 4: Horror and its Dark Visions -- Chapter 5: Horror and its Dark Witnesses.
"Sopuck’s book provides a much-needed expansion of our understanding of the artistic value and cultural role of horror films. Engaging with scholars in the fields of psychology, philosophy, and horror theory, he carefully extends the aesthetic views of George Santayana into a highly original framework that he dubs the 'sport model' of horror aesthetics. But more than this, he then uses this framework to further examine the potentially dangerous necropolitical implications of horror in the contemporary landscape. Eminently readable, with outstanding degrees of theoretical elaboration and numerous cinematic examples, the book deftly balances the worlds of scholarship and popular entertainment, providing a work that is not only thoroughly enjoyable and personally relatable, but is also sure to leave a lasting impact in the world of horror theory." --Vernon W. Cisney, Associate Professor, Interdisciplinary Studies, Gettysburg College This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. A new model of horror’s aesthetic enjoyment is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and become objects of pride. How horror films can acquire necropolitical functions is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and beauty, but also attests to the potential harms of the genre. Forrest Adam Sopuck was awarded his Ph.D. in philosophy at McMaster University in 2015. He is a specialist in early modern philosophy by formation. His current work explores how Santayana's philosophical views contribute to contemporary metaphysical debates surrounding non-mereological composition, fundamentality, and colour.
ISBN: 9783030843465
Standard No.: 10.1007/978-3-030-84346-5doiSubjects--Topical Terms:
1108142
Genre.
LC Class. No.: BH1-301
Dewey Class. No.: 111.85
The Aesthetics of Horror Films = A Santayanan Perspective /
LDR
:03810nam a22003855i 4500
001
1051413
003
DE-He213
005
20210924213102.0
007
cr nn 008mamaa
008
220103s2021 sz | s |||| 0|eng d
020
$a
9783030843465
$9
978-3-030-84346-5
024
7
$a
10.1007/978-3-030-84346-5
$2
doi
035
$a
978-3-030-84346-5
050
4
$a
BH1-301
072
7
$a
HPN
$2
bicssc
072
7
$a
PHI001000
$2
bisacsh
072
7
$a
QDTN
$2
thema
082
0 4
$a
111.85
$2
23
100
1
$a
Sopuck, Forrest Adam.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1355923
245
1 4
$a
The Aesthetics of Horror Films
$h
[electronic resource] :
$b
A Santayanan Perspective /
$c
by Forrest Adam Sopuck.
250
$a
1st ed. 2021.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2021.
300
$a
XIII, 131 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Chapter 1: Introduction -- Chapter 2: Aesthetic Optimism -- Chapter 3: Fear in the Cinema and the Definition of Horror -- Chapter 4: Horror and its Dark Visions -- Chapter 5: Horror and its Dark Witnesses.
520
$a
"Sopuck’s book provides a much-needed expansion of our understanding of the artistic value and cultural role of horror films. Engaging with scholars in the fields of psychology, philosophy, and horror theory, he carefully extends the aesthetic views of George Santayana into a highly original framework that he dubs the 'sport model' of horror aesthetics. But more than this, he then uses this framework to further examine the potentially dangerous necropolitical implications of horror in the contemporary landscape. Eminently readable, with outstanding degrees of theoretical elaboration and numerous cinematic examples, the book deftly balances the worlds of scholarship and popular entertainment, providing a work that is not only thoroughly enjoyable and personally relatable, but is also sure to leave a lasting impact in the world of horror theory." --Vernon W. Cisney, Associate Professor, Interdisciplinary Studies, Gettysburg College This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. A new model of horror’s aesthetic enjoyment is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and become objects of pride. How horror films can acquire necropolitical functions is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and beauty, but also attests to the potential harms of the genre. Forrest Adam Sopuck was awarded his Ph.D. in philosophy at McMaster University in 2015. He is a specialist in early modern philosophy by formation. His current work explores how Santayana's philosophical views contribute to contemporary metaphysical debates surrounding non-mereological composition, fundamentality, and colour.
650
2 4
$a
Genre.
$3
1108142
650
2 4
$a
Screen Studies.
$3
1209908
650
0
$a
Film genres.
$3
656792
650
0
$a
Motion pictures and television.
$3
839765
650
0
$a
Aesthetics.
$3
555008
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030843458
776
0 8
$i
Printed edition:
$z
9783030843472
856
4 0
$u
https://doi.org/10.1007/978-3-030-84346-5
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入