語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Craziness and Carnival in Neo-Noir C...
~
Kuoshu, Harry H.
Craziness and Carnival in Neo-Noir Chinese Cinema
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Craziness and Carnival in Neo-Noir Chinese Cinema/ by Harry H. Kuoshu.
作者:
Kuoshu, Harry H.
面頁冊數:
XI, 158 p. 15 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Close Reading. -
電子資源:
https://doi.org/10.1007/978-3-030-73081-9
ISBN:
9783030730819
Craziness and Carnival in Neo-Noir Chinese Cinema
Kuoshu, Harry H.
Craziness and Carnival in Neo-Noir Chinese Cinema
[electronic resource] /by Harry H. Kuoshu. - 1st ed. 2021. - XI, 158 p. 15 illus. in color.online resource. - Chinese Literature and Culture in the World. - Chinese Literature and Culture in the World.
Chapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies -- Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir -- Chapter 3: Discourses: Crazy Stone Dropped in a “Postmodern” Pond -- Chapter 4: Films: Because of Crazy Stone -- Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre. Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011).
ISBN: 9783030730819
Standard No.: 10.1007/978-3-030-73081-9doiSubjects--Topical Terms:
1172203
Close Reading.
LC Class. No.: PJ305.2-489
Dewey Class. No.: 809.5
Craziness and Carnival in Neo-Noir Chinese Cinema
LDR
:02805nam a22003975i 4500
001
1051923
003
DE-He213
005
20211125152614.0
007
cr nn 008mamaa
008
220103s2021 sz | s |||| 0|eng d
020
$a
9783030730819
$9
978-3-030-73081-9
024
7
$a
10.1007/978-3-030-73081-9
$2
doi
035
$a
978-3-030-73081-9
050
4
$a
PJ305.2-489
072
7
$a
DS
$2
bicssc
072
7
$a
LIT008000
$2
bisacsh
072
7
$a
DS
$2
thema
082
0 4
$a
809.5
$2
23
100
1
$a
Kuoshu, Harry H.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1356543
245
1 0
$a
Craziness and Carnival in Neo-Noir Chinese Cinema
$h
[electronic resource] /
$c
by Harry H. Kuoshu.
250
$a
1st ed. 2021.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2021.
300
$a
XI, 158 p. 15 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Chinese Literature and Culture in the World
505
0
$a
Chapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies -- Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir -- Chapter 3: Discourses: Crazy Stone Dropped in a “Postmodern” Pond -- Chapter 4: Films: Because of Crazy Stone -- Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.
520
$a
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre. Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011).
650
2 4
$a
Close Reading.
$3
1172203
650
2 4
$a
Film Theory.
$3
1108149
650
2 4
$a
Literary Theory.
$3
1105042
650
2 4
$a
Cultural Theory.
$3
1108078
650
2 4
$a
Asian Cinema and TV.
$3
1227744
650
1 4
$a
Asian Literature.
$3
1104894
650
0
$a
Motion pictures.
$3
562481
650
0
$a
Literature—Philosophy.
$3
1254112
650
0
$a
Culture—Study and teaching.
$3
1253505
650
0
$a
Motion pictures—Asia.
$3
1254171
650
0
$a
Oriental literature.
$3
1254509
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030730802
776
0 8
$i
Printed edition:
$z
9783030730826
830
0
$a
Chinese Literature and Culture in the World
$3
1255980
856
4 0
$u
https://doi.org/10.1007/978-3-030-73081-9
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入