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The Legacy of Indigenous Music = Asi...
~
Elschek, Oskar.
The Legacy of Indigenous Music = Asian and European Perspectives /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Legacy of Indigenous Music/ edited by Yu-hsiu Lu, Oskar Elschek.
Reminder of title:
Asian and European Perspectives /
other author:
Elschek, Oskar.
Description:
X, 198 p. 41 illus., 17 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Social Anthropology. -
Online resource:
https://doi.org/10.1007/978-981-16-4473-3
ISBN:
9789811644733
The Legacy of Indigenous Music = Asian and European Perspectives /
The Legacy of Indigenous Music
Asian and European Perspectives /[electronic resource] :edited by Yu-hsiu Lu, Oskar Elschek. - 1st ed. 2021. - X, 198 p. 41 illus., 17 illus. in color.online resource. - Sinophone and Taiwan Studies,42524-8871 ;. - Sinophone and Taiwan Studies,3.
Stage Performance and Music Inheritance of Taiwan’s Indigenous People: A Case of Series Concerts “Sounds from Across Generations” -- “Imagined” Indigenous Music as Materials in Music Education in Taiwan (1950-2000) -- Musicking as a Way of Connecting with the Ancestral Home: Preserving and Inventing Traditions in Papulu, Taiwan -- Fate and Value of Musical Traditions in a Globalising World -- Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-year-old Field Recordings from Sagada, Mountain Province in Northern Philippines -- Study of Polyphonic Music of National Minorities through the Historical Perspective -- The Indigenous Music of Sarawak and its transmission over the last 60 years with a special focus on the music of the Kenyah and the Lun Bawang -- Minority versus majority - phrase or reality? -- Indigenous People and Traditional Music in the Historical Context of the Czech Lands.
This book shares essential insights into how indigenous music has been inherited and preserved under the influence of the dominant mainstream culture in Asia and Europe. It illustrates possible ways of handing down indigenous music in countries and regions with different levels of acceptance toward indigeneity, including Taiwan, the Philippines, Malaysia, Turkey, the Czech Republic, Slovakia, the Near and Middle East, Caucasus Mountains, etc. Given its focus, the book benefits researchers who are interested in the status quo of indigenous music around the globe. The macro- and micro-perspectives used to explore related issues, problems, and concerns also benefit those interested in regional ethnomusicology.
ISBN: 9789811644733
Standard No.: 10.1007/978-981-16-4473-3doiSubjects--Topical Terms:
1107732
Social Anthropology.
LC Class. No.: GN301-674
Dewey Class. No.: 306
The Legacy of Indigenous Music = Asian and European Perspectives /
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Stage Performance and Music Inheritance of Taiwan’s Indigenous People: A Case of Series Concerts “Sounds from Across Generations” -- “Imagined” Indigenous Music as Materials in Music Education in Taiwan (1950-2000) -- Musicking as a Way of Connecting with the Ancestral Home: Preserving and Inventing Traditions in Papulu, Taiwan -- Fate and Value of Musical Traditions in a Globalising World -- Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-year-old Field Recordings from Sagada, Mountain Province in Northern Philippines -- Study of Polyphonic Music of National Minorities through the Historical Perspective -- The Indigenous Music of Sarawak and its transmission over the last 60 years with a special focus on the music of the Kenyah and the Lun Bawang -- Minority versus majority - phrase or reality? -- Indigenous People and Traditional Music in the Historical Context of the Czech Lands.
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This book shares essential insights into how indigenous music has been inherited and preserved under the influence of the dominant mainstream culture in Asia and Europe. It illustrates possible ways of handing down indigenous music in countries and regions with different levels of acceptance toward indigeneity, including Taiwan, the Philippines, Malaysia, Turkey, the Czech Republic, Slovakia, the Near and Middle East, Caucasus Mountains, etc. Given its focus, the book benefits researchers who are interested in the status quo of indigenous music around the globe. The macro- and micro-perspectives used to explore related issues, problems, and concerns also benefit those interested in regional ethnomusicology.
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