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Publicity and the Early Modern Stage = People Made Public /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Publicity and the Early Modern Stage/ edited by Allison K. Deutermann, Matthew Hunter, Musa Gurnis.
其他題名:	People Made Public /
其他作者:	Gurnis, Musa.
面頁冊數:	XV, 294 p. 3 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	British and Irish Literature. -
電子資源:	https://doi.org/10.1007/978-3-030-52332-9
ISBN:	9783030523329

Publicity and the Early Modern Stage = People Made Public /
Publicity and the Early Modern StagePeople Made Public /[electronic resource] :edited by Allison K. Deutermann, Matthew Hunter, Musa Gurnis. - 1st ed. 2021. - XV, 294 p. 3 illus.online resource. - Early Modern Cultural Studies 1500–1700,2634-5900. - Early Modern Cultural Studies 1500–1700,.

1. Introduction Allison K. Deutermann (Baruch College, CUNY) and Musa Gurnis (Washington University, St Louis) -- Part One: People Made Public -- 2. Local Characters Onstage and Off Musa Gurnis (Washington University in Saint Louis) -- 3. Bodies Public: The Roaring Girl and the Rise of Celebrity Matthew Hunter (Texas Tech University) -- 4. Celebrity No-Show: John Taylor’s The Great Eater of Kent Karen Raber (University of Mississippi) -- 5. Jonson’s Ridicule of Shakespeare in “To the Reader” of The Alchemist James P. Bednarz (Long Island University) -- Part Two: Imaginary People and the Social Imaginary -- 6. Fictional Celebrities and the Repertory System Richard Preiss (University of Utah) -- 7. Robert Armin's Nest of Ninnies and the Public Punchline Adhaar Noor Desai (Bard College) -- 8. Extravagant and Wheeling Characters Allison K. Deutermann (Baruch College, CUNY) -- Part Three: Knowing Audiences -- 9. Coriolanus in the Marketplace Piers Brown (Kenyon College) -- 10. “Methinks I see the brave Hieronimo!”: Dramatic Convention and Audience Experience in the London Commercial Theater Lauren Robertson (Columbia University) -- 11. Afterword Joe Roach (Yale University).

What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.

ISBN: 9783030523329

Standard No.: 10.1007/978-3-030-52332-9doiSubjects--Topical Terms:

1104874
British and Irish Literature.

LC Class. No.: PN715-749

Dewey Class. No.: 809

Publicity and the Early Modern Stage = People Made Public /
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