國立虎尾科技大學 |

Žižek through Hitchcock

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Žižek through Hitchcock/ by Laurence Simmons.
作者:	Simmons, Laurence.
面頁冊數:	XIV, 367 p. 30 illus., 17 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Film Theory. -
電子資源:	https://doi.org/10.1007/978-3-030-62436-1
ISBN:	9783030624361

Žižek through Hitchcock
Simmons, Laurence.

Žižek through Hitchcock[electronic resource] /by Laurence Simmons. - 1st ed. 2021. - XIV, 367 p. 30 illus., 17 illus. in color.online resource.

From H to Z: Introduction -- Chapter 1. The objet petit a -- Chapter 2. The Real -- Chapter 3. The sinthome -- Chapter 4. Metastases -- Chapter 5. Jouissance -- Chapter 6. Fantasy: Che vuoi? -- Chapter 7. Pauline Christianity -- Coda: Does Hitchcock Remake Žižek?

Maverick Slovenian cultural theorist, philosopher and psychoanalyst Slavoj Žižek has made his name elaborating the complexities of psychoanalytic and Marxist theory through the exotic use of examples from film and popular culture. But what if we were to take Žižek’s pretensions to cinephilia and film criticism seriously? In this book, adopting Žižek’s own tactic of counterintuitive observation, we shall read the corpus of Alfred Hitchcock’s films (‘one of the great achievements of Western civilization’) and Žižek’s idiosyncratic citation of them in order to arrive at a position where we can identify the core commitments that inform Žižek’s own work. From the practice of Hitchcock we shall (hopefully) arrive at a theory of Žižek (just as Žižek in his collection Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) (Verso, 1992) arrives at a theory of Lacan from the practice of Hitchcock). To achieve this goal each chapter looks at a specific film by Hitchcock and explores a specific key concept crucial to the elaboration and core of Žižek’s ideas.

ISBN: 9783030624361

Standard No.: 10.1007/978-3-030-62436-1doiSubjects--Topical Terms:

1108149
Film Theory.

LC Class. No.: PN1995.9.P7

Dewey Class. No.: 791.4

Žižek through Hitchcock
LDR:02757nam a22003975i 4500 001 1054132
003 DE-He213
005 20210625175225.0
007 cr nn 008mamaa
008 220103s2021 gw | s |||| 0|eng d
020 $a 9783030624361 $9 978-3-030-62436-1
024 7 $a 10.1007/978-3-030-62436-1 $2 doi
035 $a 978-3-030-62436-1
050 4 $a PN1995.9.P7
072 7 $a AP $2 bicssc
072 7 $a PER004010 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4 $2 23
100 1 $a Simmons, Laurence. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1359136
245 1 0 $a Žižek through Hitchcock $h [electronic resource] / $c by Laurence Simmons.
250 $a 1st ed. 2021.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a XIV, 367 p. 30 illus., 17 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a From H to Z: Introduction -- Chapter 1. The objet petit a -- Chapter 2. The Real -- Chapter 3. The sinthome -- Chapter 4. Metastases -- Chapter 5. Jouissance -- Chapter 6. Fantasy: Che vuoi? -- Chapter 7. Pauline Christianity -- Coda: Does Hitchcock Remake Žižek?
520 $a Maverick Slovenian cultural theorist, philosopher and psychoanalyst Slavoj Žižek has made his name elaborating the complexities of psychoanalytic and Marxist theory through the exotic use of examples from film and popular culture. But what if we were to take Žižek’s pretensions to cinephilia and film criticism seriously? In this book, adopting Žižek’s own tactic of counterintuitive observation, we shall read the corpus of Alfred Hitchcock’s films (‘one of the great achievements of Western civilization’) and Žižek’s idiosyncratic citation of them in order to arrive at a position where we can identify the core commitments that inform Žižek’s own work. From the practice of Hitchcock we shall (hopefully) arrive at a theory of Žižek (just as Žižek in his collection Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) (Verso, 1992) arrives at a theory of Lacan from the practice of Hitchcock). To achieve this goal each chapter looks at a specific film by Hitchcock and explores a specific key concept crucial to the elaboration and core of Žižek’s ideas.
650 2 4 $a Film Theory. $3 1108149
650 2 4 $a Philosophy, general. $3 1069287
650 1 4 $a Directing. $3 1110563
650 0 $a Motion pictures. $3 562481
650 0 $a Philosophy. $3 559771
650 0 $a Motion pictures—Production and direction. $3 1255876
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030624354
776 0 8 $i Printed edition: $z 9783030624378
776 0 8 $i Printed edition: $z 9783030624385
856 4 0 $u https://doi.org/10.1007/978-3-030-62436-1
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)