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Italian Jewish Musicians and Composers under Fascism = Let Our Music Be Played /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Italian Jewish Musicians and Composers under Fascism/ edited by Alessandro Carrieri, Annalisa Capristo.
其他題名:	Let Our Music Be Played /
其他作者:	Capristo, Annalisa.
面頁冊數:	XIV, 210 p. 8 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Jewish Cultural Studies. -
電子資源:	https://doi.org/10.1007/978-3-030-52931-4
ISBN:	9783030529314

Italian Jewish Musicians and Composers under Fascism = Let Our Music Be Played /
Italian Jewish Musicians and Composers under FascismLet Our Music Be Played /[electronic resource] :edited by Alessandro Carrieri, Annalisa Capristo. - 1st ed. 2021. - XIV, 210 p. 8 illus.online resource. - Italian and Italian American Studies,2635-294X. - Italian and Italian American Studies,.

Introduction -- Alessandro Carrieri -- Part I -- Music, Antisemitism and Persecution -- 2. Italian Jews and the Race Laws of 1938 by Michele Sarfatti -- 3. La Scala, the Jews and Erich Kleiber. An Anti-Semitic Episode of December 1938 by Annalisa Capristo -- 4. Antisemitism and Propaganda at the Teatro La Fenice Between 1937 and 1943 by Luca Lévi Sala -- 5 -- Exiled Italian Jewish Musicians and Composers by Alessandro Carrieri -- Part II -- Music, Memories and Cultural Relations -- 6. Aldo Finzi (1897-1945), Witness of the Culture and Contradictions of the Fascist Period by Eleonora Carapella -- 7. Wir treffen uns am Schluss – We Shall Meet at the End. Kurt Sonnenfeld (1921-1997), His Music During His Imprisonment in the Concentration Camp of Ferramonti, Calabria by Raffaele Deluca -- 8. An Expedient Alliance? Musical Relationships Between Nazi Germany and Fascist Italy in the Period Between 1933 and 1945 by Erik Levi.

This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music. .

ISBN: 9783030529314

Standard No.: 10.1007/978-3-030-52931-4doiSubjects--Topical Terms:

1116030
Jewish Cultural Studies.

LC Class. No.: DG11-980.2

Dewey Class. No.: 945

Italian Jewish Musicians and Composers under Fascism = Let Our Music Be Played /
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