國立虎尾科技大學 |

Musical Entanglements between Germany and East Asia = Transnational Affinity in the 20th and 21st Centuries /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Musical Entanglements between Germany and East Asia/ edited by Joanne Miyang Cho.
其他題名:	Transnational Affinity in the 20th and 21st Centuries /
其他作者:	Cho, Joanne Miyang.
面頁冊數:	XIX, 303 p. 6 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Europe, Central—History. -
電子資源:	https://doi.org/10.1007/978-3-030-78209-2
ISBN:	9783030782092

Musical Entanglements between Germany and East Asia = Transnational Affinity in the 20th and 21st Centuries /
Musical Entanglements between Germany and East AsiaTransnational Affinity in the 20th and 21st Centuries /[electronic resource] :edited by Joanne Miyang Cho. - 1st ed. 2021. - XIX, 303 p. 6 illus.online resource. - Palgrave Series in Asian German Studies,2731-5665. - Palgrave Series in Asian German Studies,.

Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The “Oriental” Utopia: Postwar Orientalism and Ferruccio Busoni’s Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d’Albert’s Mister Wu and Ernst Toch’s Der Fächer -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When “Japanese” Music Became “Modern” Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.

This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits. .

ISBN: 9783030782092

Standard No.: 10.1007/978-3-030-78209-2doiSubjects--Topical Terms:

1254662
Europe, Central—History.

LC Class. No.: DAW1001-1051

Dewey Class. No.: 943

Musical Entanglements between Germany and East Asia = Transnational Affinity in the 20th and 21st Centuries /
LDR:03679nam a22004095i 4500 001 1055934
003 DE-He213
005 20211012031808.0
007 cr nn 008mamaa
008 220103s2021 sz | s |||| 0|eng d
020 $a 9783030782092 $9 978-3-030-78209-2
024 7 $a 10.1007/978-3-030-78209-2 $2 doi
035 $a 978-3-030-78209-2
050 4 $a DAW1001-1051
072 7 $a HBJD $2 bicssc
072 7 $a HIS010000 $2 bisacsh
072 7 $a NHD $2 thema
082 0 4 $a 943 $2 23
245 1 0 $a Musical Entanglements between Germany and East Asia $h [electronic resource] : $b Transnational Affinity in the 20th and 21st Centuries / $c edited by Joanne Miyang Cho.
250 $a 1st ed. 2021.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a XIX, 303 p. 6 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Series in Asian German Studies, $x 2731-5665
505 0 $a Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The “Oriental” Utopia: Postwar Orientalism and Ferruccio Busoni’s Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d’Albert’s Mister Wu and Ernst Toch’s Der Fächer -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When “Japanese” Music Became “Modern” Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.
520 $a This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits. .
650 0 $a Europe, Central—History. $3 1254662
650 0 $a Asia—History. $3 1254630
650 0 $a Civilization—History. $3 1254101
650 0 $a World history. $3 559582
650 1 4 $a History of Germany and Central Europe. $3 1109196
650 2 4 $a Asian History. $3 1016271
650 2 4 $a Cultural History. $3 1106960
650 2 4 $a World History, Global and Transnational History. $3 1104930
700 1 $a Cho, Joanne Miyang. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1249775
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030782085
776 0 8 $i Printed edition: $z 9783030782108
776 0 8 $i Printed edition: $z 9783030782115
830 0 $a Palgrave Series in Asian German Studies, $x 2731-5665 $3 1361231
856 4 0 $u https://doi.org/10.1007/978-3-030-78209-2
912 $a ZDB-2-HTY
912 $a ZDB-2-SXH
950 $a History (SpringerNature-41172)
950 $a History (R0) (SpringerNature-43722)