國立虎尾科技大學 |

Kinaesthesia and Visual Self-Reflection in Contemporary Dance

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Kinaesthesia and Visual Self-Reflection in Contemporary Dance/ by Shantel Ehrenberg.
Author:	Ehrenberg, Shantel.
Description:	XI, 280 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Dance. -
Online resource:	https://doi.org/10.1007/978-3-030-73403-9
ISBN:	9783030734039

Kinaesthesia and Visual Self-Reflection in Contemporary Dance
Ehrenberg, Shantel.

Kinaesthesia and Visual Self-Reflection in Contemporary Dance[electronic resource] /by Shantel Ehrenberg. - 1st ed. 2021. - XI, 280 p. 1 illus.online resource. - Cognitive Studies in Literature and Performance,2945-7300. - Cognitive Studies in Literature and Performance,.

1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers’ kinaesthetic experience -- Chapter 3: A Kinaesthetic Mode of Attention -- Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention -- Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination -- Chapter 6 Concluding Diffractions | Diffracting Conclusions.

“This book makes an extraordinarily timely contribution to the field of dance studies, through articulating the kinaesthetic awareness that contemporary dancers cultivate in their professional practice. Artfully synthesising previous scholarly research concerning the embodied knowledge of contemporary dancing subjects, Ehrenberg proposes exciting new ways of conceptualising the intra-action between dancers and the ubiquitous technology supporting dancemaking processes. A highly engaging and impactful read, it points to important new directions in dance and related research fields.” -Dr Jenny Roche, Senior Lecturer in Contemporary Dance, University of Limerick, Ireland “This book offers an invaluable insight to how dancers respond to and speak about the tension they may experience between the ‘felt-sense’ of their dancing and their visual image. As such it provides new understandings about how dancers experience being watched. By combining dancer commentary with a range of theories as diverse as feminist philosophy, post-structuralism and posthumanism, the book adeptly conceptualises and interrogates the concept of a ‘kinaesthetic mode of attention’ for contemporary dance.” -Professor Sarah Whatley, C-DaRE, Coventry University, UK Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies. Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.

ISBN: 9783030734039

Standard No.: 10.1007/978-3-030-73403-9doiSubjects--Topical Terms:

556850
Dance.

LC Class. No.: GV1580-1799.4

Dewey Class. No.: 792.8

Kinaesthesia and Visual Self-Reflection in Contemporary Dance
LDR:04344nam a22004095i 4500 001 1059120
003 DE-He213
005 20220311210026.0
007 cr nn 008mamaa
008 220414s2021 sz | s |||| 0|eng d
020 $a 9783030734039 $9 978-3-030-73403-9
024 7 $a 10.1007/978-3-030-73403-9 $2 doi
035 $a 978-3-030-73403-9
050 4 $a GV1580-1799.4
072 7 $a ASD $2 bicssc
072 7 $a PER003000 $2 bisacsh
072 7 $a ATQ $2 thema
082 0 4 $a 792.8 $2 23
100 1 $a Ehrenberg, Shantel. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1353343
245 1 0 $a Kinaesthesia and Visual Self-Reflection in Contemporary Dance $h [electronic resource] / $c by Shantel Ehrenberg.
250 $a 1st ed. 2021.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a XI, 280 p. 1 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Cognitive Studies in Literature and Performance, $x 2945-7300
505 0 $a 1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers’ kinaesthetic experience -- Chapter 3: A Kinaesthetic Mode of Attention -- Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention -- Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination -- Chapter 6 Concluding Diffractions | Diffracting Conclusions.
520 $a “This book makes an extraordinarily timely contribution to the field of dance studies, through articulating the kinaesthetic awareness that contemporary dancers cultivate in their professional practice. Artfully synthesising previous scholarly research concerning the embodied knowledge of contemporary dancing subjects, Ehrenberg proposes exciting new ways of conceptualising the intra-action between dancers and the ubiquitous technology supporting dancemaking processes. A highly engaging and impactful read, it points to important new directions in dance and related research fields.” -Dr Jenny Roche, Senior Lecturer in Contemporary Dance, University of Limerick, Ireland “This book offers an invaluable insight to how dancers respond to and speak about the tension they may experience between the ‘felt-sense’ of their dancing and their visual image. As such it provides new understandings about how dancers experience being watched. By combining dancer commentary with a range of theories as diverse as feminist philosophy, post-structuralism and posthumanism, the book adeptly conceptualises and interrogates the concept of a ‘kinaesthetic mode of attention’ for contemporary dance.” -Professor Sarah Whatley, C-DaRE, Coventry University, UK Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies. Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.
650 0 $a Dance. $3 556850
650 0 $a Stage management. $3 812036
650 0 $a Science—Social aspects. $3 1254201
650 0 $a Actors. $2 fast $3 1006855
650 0 $a Performing arts. $3 556749
650 0 $a Theater. $2 swd $3 836732
650 2 4 $a Technology and Stagecraft. $3 1197461
650 2 4 $a Science and Technology Studies. $3 1140135
650 2 4 $a Performers and Practitioners. $3 1172194
650 2 4 $a Theatre and Performance Arts. $3 1365803
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030734022
776 0 8 $i Printed edition: $z 9783030734046
776 0 8 $i Printed edition: $z 9783030734053
830 0 $a Cognitive Studies in Literature and Performance, $x 2945-7300 $3 1365877
856 4 0 $u https://doi.org/10.1007/978-3-030-73403-9
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)