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Make believe in film and fiction = v...
~
Kroeber, Karl, (1926-2009.)
Make believe in film and fiction = visual vs. verbal storytelling /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Make believe in film and fiction/ Karl Kroeber.
Reminder of title:
visual vs. verbal storytelling /
Author:
Kroeber, Karl,
Published:
New York :Palgrave Macmillan, : 2006.,
Description:
228 p.
Subject:
Film adaptations. -
Online resource:
Click to View
Make believe in film and fiction = visual vs. verbal storytelling /
Kroeber, Karl,1926-2009.
Make believe in film and fiction
visual vs. verbal storytelling /[electronic resource] :Karl Kroeber. - New York :Palgrave Macmillan,2006. - 228 p.
Includes bibliographical references (p. [213]-220) and index.
Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Subjects--Topical Terms:
571731
Film adaptations.
Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN1995.3 / .K76 2006
Make believe in film and fiction = visual vs. verbal storytelling /
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Make believe in film and fiction
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[electronic resource] :
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visual vs. verbal storytelling /
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Karl Kroeber.
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New York :
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Palgrave Macmillan,
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2006.
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228 p.
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Includes bibliographical references (p. [213]-220) and index.
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Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read.
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Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
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Film adaptations.
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