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The Photographer as Autobiographer
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Photographer as Autobiographer/ by Arnaud Schmitt.
Author:
Schmitt, Arnaud.
Description:
IX, 294 p. 66 illus., 61 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
History of the Book. -
Online resource:
https://doi.org/10.1007/978-3-031-08855-1
ISBN:
9783031088551
The Photographer as Autobiographer
Schmitt, Arnaud.
The Photographer as Autobiographer
[electronic resource] /by Arnaud Schmitt. - 1st ed. 2022. - IX, 294 p. 66 illus., 61 illus. in color.online resource. - Palgrave Studies in Life Writing,2730-9193. - Palgrave Studies in Life Writing,.
Chapter 1: Introduction -- Chapter 2: The I of the Photographer: A Historical Perspective -- Chapter 3: A Structural Approach to Photographers’ Memoirs -- Chapter 4: A Cognitive Approach to Photographers’ Memoirs -- Chapter 5: Hold Still -- Chapter 6: Conclusion.
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused. Arnaud Schmitt is a Full Professor at the University of Bordeaux, France. He has published two books and multiple articles on autofiction and autobiography.
ISBN: 9783031088551
Standard No.: 10.1007/978-3-031-08855-1doiSubjects--Topical Terms:
1110545
History of the Book.
LC Class. No.: PN3311-3503
Dewey Class. No.: 808.888
The Photographer as Autobiographer
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Chapter 1: Introduction -- Chapter 2: The I of the Photographer: A Historical Perspective -- Chapter 3: A Structural Approach to Photographers’ Memoirs -- Chapter 4: A Cognitive Approach to Photographers’ Memoirs -- Chapter 5: Hold Still -- Chapter 6: Conclusion.
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This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused. Arnaud Schmitt is a Full Professor at the University of Bordeaux, France. He has published two books and multiple articles on autofiction and autobiography.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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