國立虎尾科技大學 |

Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century/ by Erica Haugtvedt.
作者:	Haugtvedt, Erica.
面頁冊數:	XIII, 217 p. 3 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Fan and Audience Studies. -
電子資源:	https://doi.org/10.1007/978-3-031-13463-0
ISBN:	9783031134630

Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century
Haugtvedt, Erica.

Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century[electronic resource] /by Erica Haugtvedt. - 1st ed. 2022. - XIII, 217 p. 3 illus.online resource. - Palgrave Fan Studies,2662-2815. - Palgrave Fan Studies,.

1. Introduction: From Novel Studies to Fan Studies -- 2. Pickwick Abroad (1837–1838): Transfictional Character as Permanent Object -- 3. Jack Sh Sheppard (1839–1840): Class and Complex Transfictional Character -- 4. Trilby (1894) in the Marketplace: fin de siècle Merchandising and Transfictional Character as Branded Object -- 5. Sherlock Holmes (1887–1930) and Believing in Character -- 6. Afterword.

Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century is an exciting and long-overdue application of fan studies to the 19th century literary world. Haugtvedt shows how the mass storytelling culture developed by the early Victorians resulted in the transmedia extensions of popular novels via penny press plagiarisms, printed illustrations, retellings in song, tie-in marketing and costuming, and cheap theatrical adaptations, and argues that these practices anticipate and are usefully compared to fandom practices of the 20th and 21st centuries. This book bridges an important gap in the field between more overtly folk practices and modern media fandom: for once, Sherlock Holmes is the end, not the start, of the story.” –Francesca Coppa, Ph.D., Muhlenberg College, USA. This book is a study of how transfictional and transmedia storytelling emerges in the nineteenth century and how the period’s receptive practices anticipate the receptive practices of fandom and transmedia storytelling franchises in the twentieth and twenty-first centuries. The central claim is that the serialized, periodical, and dramatic media environment of the late eighteenth century through the nineteenth century in Great Britain trained audiences to perceive the continuous identity of characters and worlds across disparate texts, illustrations, plays, and songs by creators other than the earliest originating author. The book contributes to fan studies, transmedia studies, and nineteenth-century periodical studies while also interrogating the nature of fictional character. Erica Haugtvedt is Assistant Professor of English in the Humanities Department at South Dakota Mines in Rapid City, South Dakota, USA. She specializes in nineteenth-century British literature, media and advertising history, and popular culture. She received her PhD in English from Ohio State University in 2015. She works on the serial Victorian novel and its contemporaneous adaptations—particularly focusing on serial character across media. Her articles have appeared in Victorian Studies, Victorian Periodicals Review, Transformative Works and Cultures, and Victorian Popular Fictions Journal.

ISBN: 9783031134630

Standard No.: 10.1007/978-3-031-13463-0doiSubjects--Topical Terms:

1366256
Fan and Audience Studies.

LC Class. No.: GN575-585

Dewey Class. No.: 306.0941

Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century
LDR:04106nam a22004215i 4500 001 1085617
003 DE-He213
005 20221117082308.0
007 cr nn 008mamaa
008 221228s2022 sz | s |||| 0|eng d
020 $a 9783031134630 $9 978-3-031-13463-0
024 7 $a 10.1007/978-3-031-13463-0 $2 doi
035 $a 978-3-031-13463-0
050 4 $a GN575-585
072 7 $a JFC $2 bicssc
072 7 $a 1DBK $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $x 1DDU $2 thema
082 0 4 $a 306.0941 $2 23
100 1 $a Haugtvedt, Erica. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1392152
245 1 0 $a Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century $h [electronic resource] / $c by Erica Haugtvedt.
250 $a 1st ed. 2022.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a XIII, 217 p. 3 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Fan Studies, $x 2662-2815
505 0 $a 1. Introduction: From Novel Studies to Fan Studies -- 2. Pickwick Abroad (1837–1838): Transfictional Character as Permanent Object -- 3. Jack Sh Sheppard (1839–1840): Class and Complex Transfictional Character -- 4. Trilby (1894) in the Marketplace: fin de siècle Merchandising and Transfictional Character as Branded Object -- 5. Sherlock Holmes (1887–1930) and Believing in Character -- 6. Afterword.
520 $a Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century is an exciting and long-overdue application of fan studies to the 19th century literary world. Haugtvedt shows how the mass storytelling culture developed by the early Victorians resulted in the transmedia extensions of popular novels via penny press plagiarisms, printed illustrations, retellings in song, tie-in marketing and costuming, and cheap theatrical adaptations, and argues that these practices anticipate and are usefully compared to fandom practices of the 20th and 21st centuries. This book bridges an important gap in the field between more overtly folk practices and modern media fandom: for once, Sherlock Holmes is the end, not the start, of the story.” –Francesca Coppa, Ph.D., Muhlenberg College, USA. This book is a study of how transfictional and transmedia storytelling emerges in the nineteenth century and how the period’s receptive practices anticipate the receptive practices of fandom and transmedia storytelling franchises in the twentieth and twenty-first centuries. The central claim is that the serialized, periodical, and dramatic media environment of the late eighteenth century through the nineteenth century in Great Britain trained audiences to perceive the continuous identity of characters and worlds across disparate texts, illustrations, plays, and songs by creators other than the earliest originating author. The book contributes to fan studies, transmedia studies, and nineteenth-century periodical studies while also interrogating the nature of fictional character. Erica Haugtvedt is Assistant Professor of English in the Humanities Department at South Dakota Mines in Rapid City, South Dakota, USA. She specializes in nineteenth-century British literature, media and advertising history, and popular culture. She received her PhD in English from Ohio State University in 2015. She works on the serial Victorian novel and its contemporaneous adaptations—particularly focusing on serial character across media. Her articles have appeared in Victorian Studies, Victorian Periodicals Review, Transformative Works and Cultures, and Victorian Popular Fictions Journal.
650 2 4 $a Fan and Audience Studies. $3 1366256
650 2 4 $a Nineteenth-Century Literature. $3 1105373
650 1 4 $a British Culture. $3 1110465
650 0 $a Audiences. $3 1172302
650 0 $a Literature, Modern—19th century. $3 1253622
650 0 $a Culture. $3 556041
650 0 $a Ethnology—Great Britain. $3 1365966
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783031134623
776 0 8 $i Printed edition: $z 9783031134647
776 0 8 $i Printed edition: $z 9783031134654
830 0 $a Palgrave Fan Studies, $x 2662-2815 $3 1359316
856 4 0 $u https://doi.org/10.1007/978-3-031-13463-0
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)