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The Audiovisual Chord = Embodied Listening in Film /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Audiovisual Chord/ by Martine Huvenne.
其他題名:
Embodied Listening in Film /
作者:
Huvenne, Martine.
面頁冊數:
XV, 317 p. 9 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Phenomenology. -
電子資源:
https://doi.org/10.1007/978-981-19-4807-7
ISBN:
9789811948077
The Audiovisual Chord = Embodied Listening in Film /
Huvenne, Martine.
The Audiovisual Chord
Embodied Listening in Film /[electronic resource] :by Martine Huvenne. - 1st ed. 2022. - XV, 317 p. 9 illus.online resource. - Palgrave Studies in Sound,2633-5883. - Palgrave Studies in Sound,.
Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion.
This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. .
ISBN: 9789811948077
Standard No.: 10.1007/978-981-19-4807-7doiSubjects--Topical Terms:
555526
Phenomenology.
LC Class. No.: Q175.4-.55
Dewey Class. No.: 303.483
The Audiovisual Chord = Embodied Listening in Film /
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Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion.
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