國立虎尾科技大學 |

The Audiovisual Chord = Embodied Listening in Film /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Audiovisual Chord/ by Martine Huvenne.
其他題名:	Embodied Listening in Film /
作者:	Huvenne, Martine.
面頁冊數:	XV, 317 p. 9 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Science—Social aspects. -
電子資源:	https://doi.org/10.1007/978-981-19-4807-7
ISBN:	9789811948077

The Audiovisual Chord = Embodied Listening in Film /
Huvenne, Martine.

The Audiovisual ChordEmbodied Listening in Film /[electronic resource] :by Martine Huvenne. - 1st ed. 2022. - XV, 317 p. 9 illus.online resource. - Palgrave Studies in Sound,2633-5883. - Palgrave Studies in Sound,.

Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion.

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. .

ISBN: 9789811948077

Standard No.: 10.1007/978-981-19-4807-7doiSubjects--Topical Terms:

1254201
Science—Social aspects.

LC Class. No.: Q175.4-.55

Dewey Class. No.: 303.483

The Audiovisual Chord = Embodied Listening in Film /
LDR:02624nam a22004095i 4500 001 1086403
003 DE-He213
005 20221213085625.0
007 cr nn 008mamaa
008 221228s2022 si | s |||| 0|eng d
020 $a 9789811948077 $9 978-981-19-4807-7
024 7 $a 10.1007/978-981-19-4807-7 $2 doi
035 $a 978-981-19-4807-7
050 4 $a Q175.4-.55
072 7 $a JF $2 bicssc
072 7 $a SOC026000 $2 bisacsh
072 7 $a JB $2 thema
082 0 4 $a 303.483 $2 23
100 1 $a Huvenne, Martine. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1393162
245 1 4 $a The Audiovisual Chord $h [electronic resource] : $b Embodied Listening in Film / $c by Martine Huvenne.
250 $a 1st ed. 2022.
264 1 $a Singapore : $b Springer Nature Singapore : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a XV, 317 p. 9 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Studies in Sound, $x 2633-5883
505 0 $a Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion.
520 $a This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. .
650 0 $a Science—Social aspects. $3 1254201
650 0 $a Motion pictures. $3 562481
650 0 $a Phenomenology . $3 1253735
650 1 4 $a Science and Technology Studies. $3 1140135
650 2 4 $a Sound Studies. $3 1391381
650 2 4 $a Film Theory. $3 1108149
650 2 4 $a Audio-Visual Culture. $3 1117464
650 2 4 $a Phenomenology. $3 555526
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9789811948060
776 0 8 $i Printed edition: $z 9789811948084
776 0 8 $i Printed edition: $z 9789811948091
830 0 $a Palgrave Studies in Sound, $x 2633-5875 $3 1281033
856 4 0 $u https://doi.org/10.1007/978-981-19-4807-7
912 $a ZDB-2-SLS
912 $a ZDB-2-SXS
950 $a Social Sciences (SpringerNature-41176)
950 $a Social Sciences (R0) (SpringerNature-43726)