Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Contemporary Women’s Ghost Stories = Spectres, Revenants, Ghostly Returns /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Contemporary Women’s Ghost Stories/ by Gina Wisker.
Reminder of title:
Spectres, Revenants, Ghostly Returns /
Author:
Wisker, Gina.
Description:
XII, 274 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Goth culture (Subculture). -
Online resource:
https://doi.org/10.1007/978-3-030-89054-4
ISBN:
9783030890544
Contemporary Women’s Ghost Stories = Spectres, Revenants, Ghostly Returns /
Wisker, Gina.
Contemporary Women’s Ghost Stories
Spectres, Revenants, Ghostly Returns /[electronic resource] :by Gina Wisker. - 1st ed. 2022. - XII, 274 p.online resource. - Palgrave Gothic,2634-6222. - Palgrave Gothic,.
“In this compelling exploration of the gendered resonances of ghosts, revenants and superstitions for the contemporary woman writer, Gina Wisker asks us to look again at the dark secrets which leak out of haunted spaces. Revelatory in the connections it makes between female-authored Gothic narratives and forgotten crimes, violence, injustices and oppression, it advances arguments about the ghost story’s inventiveness by critiquing the terrifying silences of history and the trauma of place.” — Dr Emma Liggins, Reader in English Literature, Manchester Metropolitan University, UK This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about. Gina Wisker is an Associate Professor at the University of Bath, and Professor Emeritus of Higher Education & Contemporary Literature at the University of Brighton, UK. Gina has published twenty-six books and over one hundred and forty articles, including Key Concepts in Postcolonial Literature (2007); Horror Fiction: An Introduction (2005); Margaret Atwood, an Introduction to Critical Views of Her Fiction (2012) and Contemporary Women’s Gothic Fiction (2016). Gina co-edits the online dark fantasy journal Dissections (2006–), Spokes poetry magazine (1990s–) and hosts ‘words and worlds’ readings for ICFA. Gina lives in Cambridge, has two sons and a feisty poodle.
ISBN: 9783030890544
Standard No.: 10.1007/978-3-030-89054-4doiSubjects--Topical Terms:
1366752
Goth culture (Subculture).
LC Class. No.: HM646
Dewey Class. No.: 306
Contemporary Women’s Ghost Stories = Spectres, Revenants, Ghostly Returns /
LDR
:03768nam a22004095i 4500
001
1086976
003
DE-He213
005
20220602151450.0
007
cr nn 008mamaa
008
221228s2022 sz | s |||| 0|eng d
020
$a
9783030890544
$9
978-3-030-89054-4
024
7
$a
10.1007/978-3-030-89054-4
$2
doi
035
$a
978-3-030-89054-4
050
4
$a
HM646
072
7
$a
JFCA
$2
bicssc
072
7
$a
FIC027040
$2
bisacsh
072
7
$a
JBCC1
$2
thema
082
0 4
$a
306
$2
23
082
0 4
$a
809.38729
$2
23
100
1
$a
Wisker, Gina.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1115632
245
1 0
$a
Contemporary Women’s Ghost Stories
$h
[electronic resource] :
$b
Spectres, Revenants, Ghostly Returns /
$c
by Gina Wisker.
250
$a
1st ed. 2022.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2022.
300
$a
XII, 274 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Palgrave Gothic,
$x
2634-6222
520
$a
“In this compelling exploration of the gendered resonances of ghosts, revenants and superstitions for the contemporary woman writer, Gina Wisker asks us to look again at the dark secrets which leak out of haunted spaces. Revelatory in the connections it makes between female-authored Gothic narratives and forgotten crimes, violence, injustices and oppression, it advances arguments about the ghost story’s inventiveness by critiquing the terrifying silences of history and the trauma of place.” — Dr Emma Liggins, Reader in English Literature, Manchester Metropolitan University, UK This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about. Gina Wisker is an Associate Professor at the University of Bath, and Professor Emeritus of Higher Education & Contemporary Literature at the University of Brighton, UK. Gina has published twenty-six books and over one hundred and forty articles, including Key Concepts in Postcolonial Literature (2007); Horror Fiction: An Introduction (2005); Margaret Atwood, an Introduction to Critical Views of Her Fiction (2012) and Contemporary Women’s Gothic Fiction (2016). Gina co-edits the online dark fantasy journal Dissections (2006–), Spokes poetry magazine (1990s–) and hosts ‘words and worlds’ readings for ICFA. Gina lives in Cambridge, has two sons and a feisty poodle.
650
0
$a
Goth culture (Subculture).
$3
1366752
650
0
$a
Sex.
$3
712574
650
0
$a
Literature, Modern—20th century.
$3
1254198
650
0
$a
Literature, Modern—21st century.
$3
1255929
650
1 4
$a
Gothic Studies.
$3
1226146
650
2 4
$a
Gender Studies.
$3
676860
650
2 4
$a
Contemporary Literature.
$3
1108131
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030890537
776
0 8
$i
Printed edition:
$z
9783030890551
776
0 8
$i
Printed edition:
$z
9783030890568
830
0
$a
Palgrave Gothic,
$x
2634-6214
$3
1254089
856
4 0
$u
https://doi.org/10.1007/978-3-030-89054-4
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login