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Body Utopianism = Prosthetic Being Between Enhancement and Estrangement /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Body Utopianism/ by Franziska Bork Petersen.
其他題名:
Prosthetic Being Between Enhancement and Estrangement /
作者:
Bork Petersen, Franziska.
面頁冊數:
VIII, 311 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Cultural History. -
電子資源:
https://doi.org/10.1007/978-3-030-97486-2
ISBN:
9783030974862
Body Utopianism = Prosthetic Being Between Enhancement and Estrangement /
Bork Petersen, Franziska.
Body Utopianism
Prosthetic Being Between Enhancement and Estrangement /[electronic resource] :by Franziska Bork Petersen. - 1st ed. 2022. - VIII, 311 p. 1 illus.online resource. - Palgrave Studies in Utopianism,2946-448X. - Palgrave Studies in Utopianism,.
Introduction -- PART I: IMPOSSIBLE, IMAGINED AND IMAGINARY BODIES -- 1. On being a body in Thomas More’s Utopia -- 2. Impossible body escapes -- 3. Technological bodies becoming images -- PART II: HUMAN ENHANCEMENT -- 4. Bodies of Lack -- 5. Utopias of Bodily Capacity -- 6. Beautifying body modification -- PART III: UTOPIAN ESTRANGEMENT -- 7. Bodily Estrangements of Space -- 8. Estrangements of corporeality -- 9. Estrangements of reproduction -- Conclusion.
This book investigates how desires to transform our bodies can bring utopia to the present, and how utopian practices often lead to distinctly dystopian or anti-utopian outcomes. It is the first comprehensive study to address the paradoxical relationship between bodies and utopianism. Franziska Bork Petersen discusses doping, bodybuilding and cosmetic surgery alongside practices such as retouching the ‘body as image’ on social media, and looks at how fashion modelling and performance ‘estrange’ the body. Techniques and technologies to transform our bodies are increasingly accessible and suggest an excessive identification of the body as lacking. To ‘be a body’ in a culturally meaningful way, we incessantly improve our bodily appearance and capacity. The book therefore addresses the utopianism inherent in a cultural understanding of bodies as increasingly controllable. Franziska Bork Petersen is a performance scholar and teaches at Roskilde University, Denmark, the Danish National School of Performing Arts, and Heinrich-Heine Universität, Germany. Her work on dance, performance art and fashion has appeared in Performance Research and MedieKultur: Journal of media and communication research.
ISBN: 9783030974862
Standard No.: 10.1007/978-3-030-97486-2doiSubjects--Topical Terms:
1106960
Cultural History.
LC Class. No.: D203.2-475
Dewey Class. No.: 909.08
Body Utopianism = Prosthetic Being Between Enhancement and Estrangement /
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Introduction -- PART I: IMPOSSIBLE, IMAGINED AND IMAGINARY BODIES -- 1. On being a body in Thomas More’s Utopia -- 2. Impossible body escapes -- 3. Technological bodies becoming images -- PART II: HUMAN ENHANCEMENT -- 4. Bodies of Lack -- 5. Utopias of Bodily Capacity -- 6. Beautifying body modification -- PART III: UTOPIAN ESTRANGEMENT -- 7. Bodily Estrangements of Space -- 8. Estrangements of corporeality -- 9. Estrangements of reproduction -- Conclusion.
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This book investigates how desires to transform our bodies can bring utopia to the present, and how utopian practices often lead to distinctly dystopian or anti-utopian outcomes. It is the first comprehensive study to address the paradoxical relationship between bodies and utopianism. Franziska Bork Petersen discusses doping, bodybuilding and cosmetic surgery alongside practices such as retouching the ‘body as image’ on social media, and looks at how fashion modelling and performance ‘estrange’ the body. Techniques and technologies to transform our bodies are increasingly accessible and suggest an excessive identification of the body as lacking. To ‘be a body’ in a culturally meaningful way, we incessantly improve our bodily appearance and capacity. The book therefore addresses the utopianism inherent in a cultural understanding of bodies as increasingly controllable. Franziska Bork Petersen is a performance scholar and teaches at Roskilde University, Denmark, the Danish National School of Performing Arts, and Heinrich-Heine Universität, Germany. Her work on dance, performance art and fashion has appeared in Performance Research and MedieKultur: Journal of media and communication research.
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