國立虎尾科技大學 |

Interactional Approach to Cinematic Discourse = How Do Woody Allen’s Characters Talk? /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Interactional Approach to Cinematic Discourse/ by Neda Chepinchikj.
其他題名:	How Do Woody Allen’s Characters Talk? /
作者:	Chepinchikj, Neda.
面頁冊數:	XVI, 273 p. 113 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Screen Performance. -
電子資源:	https://doi.org/10.1007/978-3-031-00945-7
ISBN:	9783031009457

Interactional Approach to Cinematic Discourse = How Do Woody Allen’s Characters Talk? /
Chepinchikj, Neda.

Interactional Approach to Cinematic DiscourseHow Do Woody Allen’s Characters Talk? /[electronic resource] :by Neda Chepinchikj. - 1st ed. 2022. - XVI, 273 p. 113 illus.online resource.

Chapter 1: Introduction -- Chapter 2: Woody Allen’s cinematic discourse -- Chapter 3: Analytical approach -- Chapter 4: Organisation of interaction -- Chapter 5: Verbal features of interaction -- Chapter 6: Embodied features of interaction: Gaze -- Chapter 7: Embodied features of interaction: Gestures -- Chapter 8: Social actions and gender considerations -- Chapter 9: Conclusion.

“Written in an engaging and lucid style, the book offers an insightful, up-to-date analysis of scripted conversation in cinematic discourse. The author convincingly shows how fictional figures construct the narrative, paying attention to embodied nuances of the characters’ on-screen interactions. The book will be much appreciated by all scholars and students working in the socio-interactional paradigm and will also be welcome by those with an interest in stylistics, conversation analysis and multimodal studies”. - Jan Chovanec, Professor of English Linguistics, Masaryk University in Brno, Czech Republic This book analyses and describes a segment of Woody Allen’s cinematic discourse, focusing specifically on the performed (or diegetic) interactions between actors in various roles in some of his films. It is a case study of Woody Allen's cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well as non-verbal types of interaction including gaze and gesture, taking a social interactional approach and using multimodal conversation analysis as a theoretical framework and analytical tool. The 'texts' under study are segments from five films by Woody Allen, and the analysed interactions take place between male and female interactants, which allows further examination of on-screen interactions via a gender lens. The book aims to bridge the gap between the disciplines of applied linguistics and cinema studies and offer linguistic insights into performed interactions from a multimodal point of view. It will be equally relevant to linguists who are interested in how verbal and non-verbal language is used in cinematic discourse, as well as to film workers, especially actors, directors and screenwriters. Neda Chepinchikj is a linguist working at the University of New South Wales (UNSW), Sydney, Australia. She holds a PhD in applied linguistics, educational linguistics and screen and media culture from the University of Melbourne. This is her first book, which is based on her PhD thesis.

ISBN: 9783031009457

Standard No.: 10.1007/978-3-031-00945-7doiSubjects--Topical Terms:

1108150
Screen Performance.

LC Class. No.: P129-138.7222

Dewey Class. No.: 418

Interactional Approach to Cinematic Discourse = How Do Woody Allen’s Characters Talk? /
LDR:03920nam a22003975i 4500 001 1088688
003 DE-He213
005 20220719144803.0
007 cr nn 008mamaa
008 221228s2022 sz | s |||| 0|eng d
020 $a 9783031009457 $9 978-3-031-00945-7
024 7 $a 10.1007/978-3-031-00945-7 $2 doi
035 $a 978-3-031-00945-7
050 4 $a P129-138.7222
072 7 $a CF $2 bicssc
072 7 $a LAN009000 $2 bisacsh
072 7 $a CF $2 thema
082 0 4 $a 418 $2 23
100 1 $a Chepinchikj, Neda. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1395884
245 1 0 $a Interactional Approach to Cinematic Discourse $h [electronic resource] : $b How Do Woody Allen’s Characters Talk? / $c by Neda Chepinchikj.
250 $a 1st ed. 2022.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a XVI, 273 p. 113 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Chapter 1: Introduction -- Chapter 2: Woody Allen’s cinematic discourse -- Chapter 3: Analytical approach -- Chapter 4: Organisation of interaction -- Chapter 5: Verbal features of interaction -- Chapter 6: Embodied features of interaction: Gaze -- Chapter 7: Embodied features of interaction: Gestures -- Chapter 8: Social actions and gender considerations -- Chapter 9: Conclusion.
520 $a “Written in an engaging and lucid style, the book offers an insightful, up-to-date analysis of scripted conversation in cinematic discourse. The author convincingly shows how fictional figures construct the narrative, paying attention to embodied nuances of the characters’ on-screen interactions. The book will be much appreciated by all scholars and students working in the socio-interactional paradigm and will also be welcome by those with an interest in stylistics, conversation analysis and multimodal studies”. - Jan Chovanec, Professor of English Linguistics, Masaryk University in Brno, Czech Republic This book analyses and describes a segment of Woody Allen’s cinematic discourse, focusing specifically on the performed (or diegetic) interactions between actors in various roles in some of his films. It is a case study of Woody Allen's cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well as non-verbal types of interaction including gaze and gesture, taking a social interactional approach and using multimodal conversation analysis as a theoretical framework and analytical tool. The 'texts' under study are segments from five films by Woody Allen, and the analysed interactions take place between male and female interactants, which allows further examination of on-screen interactions via a gender lens. The book aims to bridge the gap between the disciplines of applied linguistics and cinema studies and offer linguistic insights into performed interactions from a multimodal point of view. It will be equally relevant to linguists who are interested in how verbal and non-verbal language is used in cinematic discourse, as well as to film workers, especially actors, directors and screenwriters. Neda Chepinchikj is a linguist working at the University of New South Wales (UNSW), Sydney, Australia. She holds a PhD in applied linguistics, educational linguistics and screen and media culture from the University of Melbourne. This is her first book, which is based on her PhD thesis.
650 2 4 $a Screen Performance. $3 1108150
650 2 4 $a Sociology of Knowledge and Discourse. $3 1365780
650 2 4 $a Film Studies. $3 1366487
650 1 4 $a Applied Linguistics. $3 671516
650 0 $a Motion picture acting. $3 1047512
650 0 $a Knowledge, Sociology of. $3 557225
650 0 $a Motion pictures. $3 562481
650 0 $a Applied linguistics. $3 560935
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783031009440
776 0 8 $i Printed edition: $z 9783031009464
776 0 8 $i Printed edition: $z 9783031009471
856 4 0 $u https://doi.org/10.1007/978-3-031-00945-7
912 $a ZDB-2-SLS
912 $a ZDB-2-SXS
950 $a Social Sciences (SpringerNature-41176)
950 $a Social Sciences (R0) (SpringerNature-43726)