語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Wounded Body = Memory, Language and the Self from Petrarch to Shakespeare /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Wounded Body/ edited by Fabrizio Bondi, Massimo Stella, Andrea Torre.
其他題名:
Memory, Language and the Self from Petrarch to Shakespeare /
其他作者:
Torre, Andrea.
面頁冊數:
XII, 411 p. 14 illus., 13 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
European Literature. -
電子資源:
https://doi.org/10.1007/978-3-030-91904-7
ISBN:
9783030919047
The Wounded Body = Memory, Language and the Self from Petrarch to Shakespeare /
The Wounded Body
Memory, Language and the Self from Petrarch to Shakespeare /[electronic resource] :edited by Fabrizio Bondi, Massimo Stella, Andrea Torre. - 1st ed. 2022. - XII, 411 p. 14 illus., 13 illus. in color.online resource.
1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’ and the ‘colpo ascoso’. The Love Wound in Cavalcanti and Dante (Gabriele Frasca) -- 5. Through the Wound, and What Petrarch Found There (Andrea Torre) -- 6. Untimely wounds in Shakespeare’s Macbeth (Iolanda Plescia) -- 7. An Anatomy of the Destructiveness of Knights. Wound Imagery and the Culture of Physical Force in ‘Langue d’oïl’ Heroic Narrative (Alvaro Barbieri) -- 8. Adventure and the Wound: History of a Paradoxical Relationship (Manuel Mühlbacher) -- 9. The Wounded Body in Boiardo’s ‘Innamorato’ and Ariosto’s ‘Orlando Furioso’ (Sabrina Stroppa) -- 10. The Bleeding Scar. Towards a Reading of ‘Gerusalemme liberata’ as the Poem of Belatedness (Giancarlo Alfano) -- 11. The Meta-Physical Wound: Shakespeare’s Roman Plays (Massimo Stella) -- 12. ‘Chacun de nous tient sa blessure ouverte, sì che tal piaga il mondo unqua risalde’. The Wound in Women’s Poetry (that of Cixous and Colonna among others) (Tatiana Crivelli) -- 13. A masochistic Prometheus: the Wound in Tasso’s Lyric Poetry (Fabrizio Bondi) -- 14. ‘And of what force your wounding graces are’. Importing and Augmenting the Wound from Italy to Elizabethan England (Selene Scarsi) -- 15. Amoretta and Lucrece: Wounded Identities (Luca Manini) -- 16.‘Risguarda quella piaga’. Stigmata and the Education of the Gaze in Early Modern Franciscan Iconography (Giuseppe Capriotti) -- 17. ‘What Are These Wounds?’ Stigmata and/as Memory in Italian Religious Literature (Andrea Torre). .
This edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.. Fabrizio Bondi is Fellow of Italian Literature at Scuola Normale Superiore of Pisa, Italy. Massimo Stella is Lecturer in Comparative Literatures and Theory of Literature at the Ca’ Foscari University of Venice, Italy. Andrea Torre is Associate Professor of Italian Literature at Scuola Normale Superiore of Pisa, Italy.
ISBN: 9783030919047
Standard No.: 10.1007/978-3-030-91904-7doiSubjects--Topical Terms:
1105347
European Literature.
LC Class. No.: PN715-749
Dewey Class. No.: 809.03
The Wounded Body = Memory, Language and the Self from Petrarch to Shakespeare /
LDR
:04604nam a22003975i 4500
001
1090004
003
DE-He213
005
20220310115005.0
007
cr nn 008mamaa
008
221228s2022 sz | s |||| 0|eng d
020
$a
9783030919047
$9
978-3-030-91904-7
024
7
$a
10.1007/978-3-030-91904-7
$2
doi
035
$a
978-3-030-91904-7
050
4
$a
PN715-749
072
7
$a
DSB
$2
bicssc
072
7
$a
LIT024000
$2
bisacsh
072
7
$a
DSB
$2
thema
082
0 4
$a
809.03
$2
23
245
1 4
$a
The Wounded Body
$h
[electronic resource] :
$b
Memory, Language and the Self from Petrarch to Shakespeare /
$c
edited by Fabrizio Bondi, Massimo Stella, Andrea Torre.
250
$a
1st ed. 2022.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2022.
300
$a
XII, 411 p. 14 illus., 13 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’ and the ‘colpo ascoso’. The Love Wound in Cavalcanti and Dante (Gabriele Frasca) -- 5. Through the Wound, and What Petrarch Found There (Andrea Torre) -- 6. Untimely wounds in Shakespeare’s Macbeth (Iolanda Plescia) -- 7. An Anatomy of the Destructiveness of Knights. Wound Imagery and the Culture of Physical Force in ‘Langue d’oïl’ Heroic Narrative (Alvaro Barbieri) -- 8. Adventure and the Wound: History of a Paradoxical Relationship (Manuel Mühlbacher) -- 9. The Wounded Body in Boiardo’s ‘Innamorato’ and Ariosto’s ‘Orlando Furioso’ (Sabrina Stroppa) -- 10. The Bleeding Scar. Towards a Reading of ‘Gerusalemme liberata’ as the Poem of Belatedness (Giancarlo Alfano) -- 11. The Meta-Physical Wound: Shakespeare’s Roman Plays (Massimo Stella) -- 12. ‘Chacun de nous tient sa blessure ouverte, sì che tal piaga il mondo unqua risalde’. The Wound in Women’s Poetry (that of Cixous and Colonna among others) (Tatiana Crivelli) -- 13. A masochistic Prometheus: the Wound in Tasso’s Lyric Poetry (Fabrizio Bondi) -- 14. ‘And of what force your wounding graces are’. Importing and Augmenting the Wound from Italy to Elizabethan England (Selene Scarsi) -- 15. Amoretta and Lucrece: Wounded Identities (Luca Manini) -- 16.‘Risguarda quella piaga’. Stigmata and the Education of the Gaze in Early Modern Franciscan Iconography (Giuseppe Capriotti) -- 17. ‘What Are These Wounds?’ Stigmata and/as Memory in Italian Religious Literature (Andrea Torre). .
520
$a
This edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.. Fabrizio Bondi is Fellow of Italian Literature at Scuola Normale Superiore of Pisa, Italy. Massimo Stella is Lecturer in Comparative Literatures and Theory of Literature at the Ca’ Foscari University of Venice, Italy. Andrea Torre is Associate Professor of Italian Literature at Scuola Normale Superiore of Pisa, Italy.
650
2 4
$a
European Literature.
$3
1105347
650
2 4
$a
Classical and Antique Literature.
$3
1113200
650
1 4
$a
Early Modern and Renaissance Literature.
$3
1365967
650
0
$a
European literature.
$3
934838
650
0
$a
Literature, Ancient.
$3
1389628
650
0
$a
Classical literature.
$3
654014
650
0
$a
European literature—Renaissance, 1450-1600.
$3
1365965
700
1
$a
Torre, Andrea.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1397332
700
1
$a
Stella, Massimo.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1397331
700
1
$a
Bondi, Fabrizio.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1397330
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030919030
776
0 8
$i
Printed edition:
$z
9783030919054
776
0 8
$i
Printed edition:
$z
9783030919061
856
4 0
$u
https://doi.org/10.1007/978-3-030-91904-7
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入