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Chinese Aesthetics in a Global Context
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Chinese Aesthetics in a Global Context/ by Zhirong Zhu.
Author:
Zhu, Zhirong.
Description:
XIV, 321 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Aesthetics. -
Online resource:
https://doi.org/10.1007/978-981-16-7747-2
ISBN:
9789811677472
Chinese Aesthetics in a Global Context
Zhu, Zhirong.
Chinese Aesthetics in a Global Context
[electronic resource] /by Zhirong Zhu. - 1st ed. 2022. - XIV, 321 p. 1 illus.online resource.
Introduction -- The Aesthetic Activity -- The Aesthetic Object -- The Aesthetic Relationship -- Characteristics of Aesthetic Perception -- Aesthetic Consciousness -- Aesthetic Ideo-imagery -- Aesthetic Styles -- Aesthetic Education -- Conclusion -- References -- Index.
This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying China’s traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position. .
ISBN: 9789811677472
Standard No.: 10.1007/978-981-16-7747-2doiSubjects--Topical Terms:
555008
Aesthetics.
LC Class. No.: BH1-301
Dewey Class. No.: 111.85
Chinese Aesthetics in a Global Context
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Introduction -- The Aesthetic Activity -- The Aesthetic Object -- The Aesthetic Relationship -- Characteristics of Aesthetic Perception -- Aesthetic Consciousness -- Aesthetic Ideo-imagery -- Aesthetic Styles -- Aesthetic Education -- Conclusion -- References -- Index.
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This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying China’s traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position. .
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Philosophy and Religion (R0) (SpringerNature-43725)
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