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When Music Mattered = American Music in the Sixties /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
When Music Mattered/ by James Wierzbicki.
Reminder of title:
American Music in the Sixties /
Author:
Wierzbicki, James.
Description:
XLII, 265 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
United States—History. -
Online resource:
https://doi.org/10.1007/978-3-030-96694-2
ISBN:
9783030966942
When Music Mattered = American Music in the Sixties /
Wierzbicki, James.
When Music Mattered
American Music in the Sixties /[electronic resource] :by James Wierzbicki. - 1st ed. 2022. - XLII, 265 p.online resource.
Chapter 1: Prologue: The Sixties -- Chapter 2: Folk -- Chapter 3: Rock -- Chapter 4: Jazz -- Chapter 5: Avant-Garde -- Chapter 6: Classical -- Chapter 7: Epilogue: Aftermath.
This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
ISBN: 9783030966942
Standard No.: 10.1007/978-3-030-96694-2doiSubjects--Topical Terms:
1254156
United States—History.
LC Class. No.: E171-183.9
Dewey Class. No.: 973
When Music Mattered = American Music in the Sixties /
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Chapter 1: Prologue: The Sixties -- Chapter 2: Folk -- Chapter 3: Rock -- Chapter 4: Jazz -- Chapter 5: Avant-Garde -- Chapter 6: Classical -- Chapter 7: Epilogue: Aftermath.
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This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
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