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Writing Mary I = History, Historiography, and Fiction /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Writing Mary I/ edited by Valerie Schutte, Jessica S. Hower.
其他題名:
History, Historiography, and Fiction /
其他作者:
Hower, Jessica S.
面頁冊數:
XVI, 247 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Feminism and Feminist Theory. -
電子資源:
https://doi.org/10.1007/978-3-030-95132-0
ISBN:
9783030951320
Writing Mary I = History, Historiography, and Fiction /
Writing Mary I
History, Historiography, and Fiction /[electronic resource] :edited by Valerie Schutte, Jessica S. Hower. - 1st ed. 2022. - XVI, 247 p. 1 illus.online resource. - Queenship and Power,2730-9398. - Queenship and Power,.
1. Introduction: “Leaue some fruite of my bodie behind me” - Jessica S. Hower and Valerie Schutte -- 2. An Ally from Savoy: Princess Mary in the Correspondence of Eustace Chapuys - Derek M. Taylor -- 3. Imperial Meddler/Marian Mentor: Eustace Chapuys and Mary Tudor in Fiction and Film - William B. Robison -- 4. Venetian Diplomacy Under Mary I - Samantha Perez -- 5. A Narrative That Was Not Her Own: Mary I as Mediterranean Queen - Darcy Kern -- 6. From Lioness to Exemplary Yet Unsuccessful Queen: Mary I in Early Modern Spain - Kelsey J. Ihinger -- 7. Images of Mary I in Modern Spanish Media - Tamara Pérez-Fernández -- 8. Dressed to Kill: The Fashioning of “Bloody Mary” - Emilie M. Brinkman -- 9. Mary I in The Ringed Castle - Alexander Samson -- 10. Still Bloody Mary: Mary I in Historical Fiction - Stephanie Russo.
This book—along with its companion volume Mary I in Writing: Letters, Literature, and Representations—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.
ISBN: 9783030951320
Standard No.: 10.1007/978-3-030-95132-0doiSubjects--Topical Terms:
1365868
Feminism and Feminist Theory.
LC Class. No.: DA1-995
Dewey Class. No.: 941
Writing Mary I = History, Historiography, and Fiction /
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1. Introduction: “Leaue some fruite of my bodie behind me” - Jessica S. Hower and Valerie Schutte -- 2. An Ally from Savoy: Princess Mary in the Correspondence of Eustace Chapuys - Derek M. Taylor -- 3. Imperial Meddler/Marian Mentor: Eustace Chapuys and Mary Tudor in Fiction and Film - William B. Robison -- 4. Venetian Diplomacy Under Mary I - Samantha Perez -- 5. A Narrative That Was Not Her Own: Mary I as Mediterranean Queen - Darcy Kern -- 6. From Lioness to Exemplary Yet Unsuccessful Queen: Mary I in Early Modern Spain - Kelsey J. Ihinger -- 7. Images of Mary I in Modern Spanish Media - Tamara Pérez-Fernández -- 8. Dressed to Kill: The Fashioning of “Bloody Mary” - Emilie M. Brinkman -- 9. Mary I in The Ringed Castle - Alexander Samson -- 10. Still Bloody Mary: Mary I in Historical Fiction - Stephanie Russo.
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This book—along with its companion volume Mary I in Writing: Letters, Literature, and Representations—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.
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