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Serial Shakespeare = an infinite variety of appropriations in American TV drama /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Serial Shakespeare/ Elisabeth Bronfen.
其他題名:
an infinite variety of appropriations in American TV drama /
作者:
Bronfen, Elisabeth.
出版者:
Manchester :Manchester University Press, : 2020.,
面頁冊數:
1 online resource (257 p.) :ill. :
標題:
Television series - United States. -
電子資源:
https://portal.igpublish.com/iglibrary/search/MUPB0001789.html
ISBN:
9781526142320
Serial Shakespeare = an infinite variety of appropriations in American TV drama /
Bronfen, Elisabeth.
Serial Shakespeare
an infinite variety of appropriations in American TV drama /[electronic resource] :Elisabeth Bronfen. - Manchester :Manchester University Press,2020. - 1 online resource (257 p.) :ill.
Includes bibliographical references and index.
Access restricted to authorized users and institutions.
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
Mode of access: World Wide Web.
ISBN: 9781526142320Subjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:
869693
Television series
--United States.
LC Class. No.: PN1992.65
Dewey Class. No.: 791.4575
Serial Shakespeare = an infinite variety of appropriations in American TV drama /
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Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
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https://portal.igpublish.com/iglibrary/search/MUPB0001789.html
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