語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Tuning in to the neo-avant-garde = experimental radio plays in the postwar period /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Tuning in to the neo-avant-garde/ edited by Inge Arteel ... [et al.].
其他題名:
experimental radio plays in the postwar period /
其他作者:
Arteel, Inge.
出版者:
Manchester :Manchester University Press, : 2021.,
面頁冊數:
1 online resource (271 p.) :ill. :
標題:
Radio plays - History and criticism. -
電子資源:
https://portal.igpublish.com/iglibrary/search/MUPB0002065.html
ISBN:
9781526155726
Tuning in to the neo-avant-garde = experimental radio plays in the postwar period /
Tuning in to the neo-avant-garde
experimental radio plays in the postwar period /[electronic resource] :edited by Inge Arteel ... [et al.]. - Manchester :Manchester University Press,2021. - 1 online resource (271 p.) :ill.
Includes bibliographical references and index.
Access restricted to authorized users and institutions.
Tuning in to the neo-avant-garde offers the first in-depth study of the radio play's significance for the neo-avant-garde. In the postwar period, radio began to function as a site of artistic experimentation for the literary neo-avant-garde, especially in the form of the radio play. In the wake of the historical avant-garde, the neo-avant-garde had a strong interest in aural media, in the seemingly autonomous power of sound and voice. Therefore, it is not surprising that postwar avant-garde artists and literary writers in particular all across Europe, the US and the UK started to experiment with the radio play. Neo-avant-garde artists actively engaged with newly created studios and platforms in the postwar period. The contributions to this book examine how the radiophonic neo-avant-garde stages political questions and acknowledges its own ideological structure, while taking into account the public nature of radio. Alongside these cultural and political contexts, the book also reflects on intermedial and material issues to analyse how they have impacted artistic production in different parts of the world. Specific attention is paid to how artists explored the creative affordances of radio and the semiotics of auditory storytelling through electroacoustic manipulation, stereophonic positioning, montage and mixing, while also probing the ways in which they experimented in related genres and media such as music, sound poetry and theatre, questioning the boundaries between them. Because of its exclusive focus on the audiophonic realm, the book offers a valuable new perspective on the continuing debate surrounding the neo-avant-garde and its relationship with the historical avant-garde.
Mode of access: World Wide Web.
ISBN: 9781526155726Subjects--Topical Terms:
1404351
Radio plays
--History and criticism.
LC Class. No.: PN1991.65.T86
Dewey Class. No.: 791.447
Tuning in to the neo-avant-garde = experimental radio plays in the postwar period /
LDR
:02734cam a2200277 a 4500
001
1095820
006
m o d
007
cr cnu---unuuu
008
221229s2021 enka ob 001 0 eng d
020
$a
9781526155726
$q
(electronic book)
020
$a
9781526155702
$q
(epub)
020
$z
9781526155719
$q
(hardcover)
020
$z
1526155710
$q
(hardcover)
035
$a
MUPB0002065
040
$a
DLC
$b
eng
$c
DLC
041
0
$a
eng
050
0 0
$a
PN1991.65.T86
082
0 0
$a
791.447
245
0 0
$a
Tuning in to the neo-avant-garde
$h
[electronic resource] :
$b
experimental radio plays in the postwar period /
$c
edited by Inge Arteel ... [et al.].
260
$a
Manchester :
$b
Manchester University Press,
$c
2021.
300
$a
1 online resource (271 p.) :
$b
ill.
504
$a
Includes bibliographical references and index.
506
$a
Access restricted to authorized users and institutions.
520
3
$a
Tuning in to the neo-avant-garde offers the first in-depth study of the radio play's significance for the neo-avant-garde. In the postwar period, radio began to function as a site of artistic experimentation for the literary neo-avant-garde, especially in the form of the radio play. In the wake of the historical avant-garde, the neo-avant-garde had a strong interest in aural media, in the seemingly autonomous power of sound and voice. Therefore, it is not surprising that postwar avant-garde artists and literary writers in particular all across Europe, the US and the UK started to experiment with the radio play. Neo-avant-garde artists actively engaged with newly created studios and platforms in the postwar period. The contributions to this book examine how the radiophonic neo-avant-garde stages political questions and acknowledges its own ideological structure, while taking into account the public nature of radio. Alongside these cultural and political contexts, the book also reflects on intermedial and material issues to analyse how they have impacted artistic production in different parts of the world. Specific attention is paid to how artists explored the creative affordances of radio and the semiotics of auditory storytelling through electroacoustic manipulation, stereophonic positioning, montage and mixing, while also probing the ways in which they experimented in related genres and media such as music, sound poetry and theatre, questioning the boundaries between them. Because of its exclusive focus on the audiophonic realm, the book offers a valuable new perspective on the continuing debate surrounding the neo-avant-garde and its relationship with the historical avant-garde.
538
$a
Mode of access: World Wide Web.
588
$a
Description based on print version record.
650
0
$a
Radio plays
$x
History and criticism.
$3
1404351
650
0
$a
Experimental drama
$x
History and criticism.
$3
1404352
700
1
$a
Arteel, Inge.
$e
editor.
$3
1321286
856
4 0
$u
https://portal.igpublish.com/iglibrary/search/MUPB0002065.html
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入