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The end of diversity in art historical writing = North Atlantic art history and its alternatives /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The end of diversity in art historical writing/ James Elkins.
其他題名:	North Atlantic art history and its alternatives /
其他題名:	North Atlantic art history and its alternatives
作者:	Elkins, James,
出版者:	Berlin :De Gruyter, : c2021.,
面頁冊數:	1 online resource (221 p.) :ill. :
附註:	Includes index.
標題:	Eurocentrism. -
電子資源:	http://www.degruyter.com/isbn/9783110722475
ISBN:	9783110722475

The end of diversity in art historical writing = North Atlantic art history and its alternatives /
Elkins, James,1955-

The end of diversity in art historical writingNorth Atlantic art history and its alternatives /[electronic resource] :North Atlantic art history and its alternativesJames Elkins. - 1st ed. - Berlin :De Gruyter,c2021. - 1 online resource (221 p.) :ill.

Includes index.

Frontmatter --

The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.

In English.

ISBN: 9783110722475

Standard No.: 10.1515/9783110722475doi

LCCN: 2020948118Subjects--Topical Terms:

939710
Eurocentrism.

LC Class. No.: N7480 / .E435 2021

Dewey Class. No.: 700

The end of diversity in art historical writing = North Atlantic art history and its alternatives /
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245 1 4 $a The end of diversity in art historical writing $h [electronic resource] : $b North Atlantic art history and its alternatives / $c James Elkins.
246 3 0 $a North Atlantic art history and its alternatives
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260 $a Berlin : $b De Gruyter, $c c2021.
300 $a 1 online resource (221 p.) : $b ill.
500 $a Includes index.
505 0 0 $t Frontmatter -- $t Table of Contents -- $t Introduction -- $t Acknowledgments -- $t 1. The Conditions Under Which Global Art History Is Studied -- $t 2. Leading Terms: Master Narrative, Western, Central, Peripheral, North Atlantic -- $t 3 Are Art Criticism, Art Theory, Art Instruction, and the Novel Global Phenomena? -- $t 4 The Example of Art Since 1900 -- $t 5 State of the Field: Six Current Strategies -- $t 6 Reasons Why Escape is Not Possible -- $t 7 Finding Terms and Methods for Art History -- $t 8 Writing About Modernist Painting Outside Western Europe and North America -- $t 9 The Most Difficult Problem for Global Art History -- $t Envoi: Writing Itself -- $t Main Points -- $t Index.
520 $a The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
546 $a In English.
588 0 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
650 0 $a Eurocentrism. $3 939710
650 0 $a Art $x Historiography. $3 574318
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