國立虎尾科技大學 |

John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	John ruskin, the Pre-Raphaelites, and religious imagination/ edited by Sheona Beaumont, Madeleine Emerald Thiele.
其他題名:	sacre conversazioni /
其他作者:	Thiele, Madeleine Emerald.
出版者:	Cham :Springer International Publishing : : 2023.,
面頁冊數:	xxiv, 315 p. :ill., digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Nineteenth-Century Literature. -
電子資源:	https://doi.org/10.1007/978-3-031-21554-4
ISBN:	9783031215544

John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /
John ruskin, the Pre-Raphaelites, and religious imaginationsacre conversazioni /[electronic resource] :edited by Sheona Beaumont, Madeleine Emerald Thiele. - Cham :Springer International Publishing :2023. - xxiv, 315 p. :ill., digital ;24 cm.

1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin's Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. 'Those are Leaves': Ruskin's Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. 'The Loveliest Traditions of the Christian Legend': Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts's 'Language of Symbols' at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels' Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan's Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.

This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin's writing for today's audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin's drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of 'sacra conversazione'. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and King's College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021) Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s-1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021)

ISBN: 9783031215544

Standard No.: 10.1007/978-3-031-21554-4doiSubjects--Personal Names:

1348889
Ruskin, John,
1819-1900.Subjects--Topical Terms:

1105373
Nineteenth-Century Literature.

LC Class. No.: BR115.A8 / J64 2023

Dewey Class. No.: 261.57

John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /
LDR:03489nam a2200337 a 4500 001 1106152
003 DE-He213
005 20230626164238.0
006 m d
007 cr nn 008maaau
008 231013s2023 sz s 0 eng d
020 $a 9783031215544 $q (electronic bk.)
020 $a 9783031215537 $q (paper)
024 7 $a 10.1007/978-3-031-21554-4 $2 doi
035 $a 978-3-031-21554-4
040 $a GP $c GP
041 0 $a eng
050 4 $a BR115.A8 $b J64 2023
072 7 $a HRCM $2 bicssc
072 7 $a REL067000 $2 bisacsh
072 7 $a QRM $2 thema
072 7 $a QRVG $2 thema
082 0 4 $a 261.57 $2 23
090 $a BR115.A8 $b J65 2023
245 0 0 $a John ruskin, the Pre-Raphaelites, and religious imagination $h [electronic resource] : $b sacre conversazioni / $c edited by Sheona Beaumont, Madeleine Emerald Thiele.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xxiv, 315 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin's Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. 'Those are Leaves': Ruskin's Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. 'The Loveliest Traditions of the Christian Legend': Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts's 'Language of Symbols' at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels' Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan's Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.
520 $a This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin's writing for today's audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin's drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of 'sacra conversazione'. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and King's College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021) Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s-1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021)
600 1 0 $a Ruskin, John, $d 1819-1900. $3 1348889
650 2 4 $a Nineteenth-Century Literature. $3 1105373
650 2 4 $a Art History. $3 1365919
650 2 4 $a Aesthetics. $3 555008
650 1 4 $a Christian Theology. $3 1110937
650 0 $a Pre-Raphaelites $z Great Britain. $3 1415601
650 0 $a Art, British $y 19th century $x Themes, motives. $3 1415600
650 0 $a Painting, British $y 19th century $x Themes, motives. $3 1415599
650 0 $a Christianity and art $z Great Britain $x History $y 19th century. $3 1415598
700 1 $a Thiele, Madeleine Emerald. $3 1415597
700 1 $a Beaumont, Sheona. $3 1415596
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-21554-4
950 $a Religion and Philosophy (SpringerNature-41175)