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Chinese martial arts film and the philosophy of action
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Chinese martial arts film and the philosophy of action/ Stephen Teo.
Author:
Teo, Stephen.
Published:
Abingdon, Oxon ;Routledge, : 2021.,
Description:
1 online resource (164 p.) :ill. :
Subject:
Martial arts films - History and criticism. - China -
Online resource:
https://www.taylorfrancis.com/books/9781003035435
ISBN:
9781003035435 (electronic bk.)
Chinese martial arts film and the philosophy of action
Teo, Stephen.
Chinese martial arts film and the philosophy of action
[electronic resource] /Stephen Teo. - Abingdon, Oxon ;Routledge,2021. - 1 online resource (164 p.) :ill. - Media, culture and social change in Asia ;70.
"This book focuses on the philosophy of Chinese martial arts film, arguing that philosophy provides a key to understanding the whole genre. It draws on Chinese philosophical ideas derived from, or based on, Confucianism, Daoism, Buddhism, and other schools of thought such as Mohism and Legalism, examines a cluster of recent Chinese martial arts films centering on the figure of the xia - the heroic protagonist, the Chinese equivalent of medieval Europe's knight-errant - and outlines the philosophical principles and themes undergirding the actions of xia and their narratives. Overall, the author argues that the genre, apart from being an action-oriented entertainment medium, is inherently moral and ethical"--
ISBN: 9781003035435 (electronic bk.)Subjects--Topical Terms:
1428026
Martial arts films
--History and criticism.--ChinaIndex Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN1995.9.H3 / T464 2021
Dewey Class. No.: 791.4/3657
Chinese martial arts film and the philosophy of action
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Chinese martial arts film and the philosophy of action
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Stephen Teo.
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Abingdon, Oxon ;
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Routledge,
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2021.
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"This book focuses on the philosophy of Chinese martial arts film, arguing that philosophy provides a key to understanding the whole genre. It draws on Chinese philosophical ideas derived from, or based on, Confucianism, Daoism, Buddhism, and other schools of thought such as Mohism and Legalism, examines a cluster of recent Chinese martial arts films centering on the figure of the xia - the heroic protagonist, the Chinese equivalent of medieval Europe's knight-errant - and outlines the philosophical principles and themes undergirding the actions of xia and their narratives. Overall, the author argues that the genre, apart from being an action-oriented entertainment medium, is inherently moral and ethical"--
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https://www.taylorfrancis.com/books/9781003035435
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