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Reimag(in)ing the victorians in contemporary art = britain and beyond /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Reimag(in)ing the victorians in contemporary art/ by Isobel Elstob.
其他題名:
britain and beyond /
作者:
Elstob, Isobel.
出版者:
Cham :Springer International Publishing : : 2023.,
面頁冊數:
xv, 268 p. :illustrations, digital ; : 24 cm.;
Contained By:
Springer Nature eBook
標題:
Art and history. -
標題:
Great Britain - Politics and government - 1997- -
電子資源:
https://doi.org/10.1007/978-3-031-28493-9
ISBN:
9783031284939
Reimag(in)ing the victorians in contemporary art = britain and beyond /
Elstob, Isobel.
Reimag(in)ing the victorians in contemporary art
britain and beyond /[electronic resource] :by Isobel Elstob. - Cham :Springer International Publishing :2023. - xv, 268 p. :illustrations, digital ;24 cm.
1. Introduction: Visualizing the Victorians -- 2. Seeing is (not) Believing: Photography, Magic Lanterns and Virtual Realities -- 3. The Animal Body Remade: Bones, Feathers, Furs and Fairies -- 4. Unnatural Histories: Forgotten Objects, Narratives and Lives -- 5. Colonial Afterlives: Communicating our Transnational Past -- 6. Conclusions: The Present Past in Contemporary Art.
From contemporary deployments of taxidermy, magic lanterns and microscopy to the visualization of forgotten lives, marginalized narratives and colonial histories, this book explores how the work of artists including Mat Collishaw, Yinka Shonibare, Tessa Farmer, Mark Dion, Dorothy Cross and Ingrid Pollard reimag(in)es the Victorians in the 'present'. Examining how recent paintings, sculptures, photographs, installations and films revisit and re-present nineteenth-century technologies, practices and events, the book's rich interdisciplinary approach applies literary, media and linguistic theories to its analysis of visual art, alongside in-depth discussions of the Victorian inventions, concepts and narratives that they invoke. The book's emphasis on how - and why - we represent the historical past makes its contribution particularly timely. And by drawing attention to the importance of historiography to the work of these artists, it also unravels the complicated history of History itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postcolonialism, museology, gender studies, postmodernism and the history of ideas.
ISBN: 9783031284939
Standard No.: 10.1007/978-3-031-28493-9doiSubjects--Topical Terms:
1229516
Art and history.
Subjects--Geographical Terms:
556459
Great Britain
--Politics and government--1997-
LC Class. No.: N72.H58 / E58 2023
Dewey Class. No.: 709
Reimag(in)ing the victorians in contemporary art = britain and beyond /
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1. Introduction: Visualizing the Victorians -- 2. Seeing is (not) Believing: Photography, Magic Lanterns and Virtual Realities -- 3. The Animal Body Remade: Bones, Feathers, Furs and Fairies -- 4. Unnatural Histories: Forgotten Objects, Narratives and Lives -- 5. Colonial Afterlives: Communicating our Transnational Past -- 6. Conclusions: The Present Past in Contemporary Art.
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From contemporary deployments of taxidermy, magic lanterns and microscopy to the visualization of forgotten lives, marginalized narratives and colonial histories, this book explores how the work of artists including Mat Collishaw, Yinka Shonibare, Tessa Farmer, Mark Dion, Dorothy Cross and Ingrid Pollard reimag(in)es the Victorians in the 'present'. Examining how recent paintings, sculptures, photographs, installations and films revisit and re-present nineteenth-century technologies, practices and events, the book's rich interdisciplinary approach applies literary, media and linguistic theories to its analysis of visual art, alongside in-depth discussions of the Victorian inventions, concepts and narratives that they invoke. The book's emphasis on how - and why - we represent the historical past makes its contribution particularly timely. And by drawing attention to the importance of historiography to the work of these artists, it also unravels the complicated history of History itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postcolonialism, museology, gender studies, postmodernism and the history of ideas.
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